Label: Universal Music (Japan), UCCO 3001
Style: Rock, Pop Rock
Country: Liverpool, England (18 June 1942)
Time: 45:19
Format: Flac Tracks 16/44,1 kHz
Size: 335 Mb
Charts: UK #5, AUS #33, BEL #25, GER #18, NLD #6, NOR #4, NZ #30, SWE #3, SWI #20, US #3.
There's no longer any shame attached to imitating Wings. Why, even Macca's at it.
He's
certainly giving Memory Almost Full a publicity shove that he hasn't
granted many of his previous 20 solo efforts. Leaving EMI for Starbucks'
newly constituted label doubtless has something to with that, but the
impression of history being re-written doesn't stop there. Just as his
recent lunch with Observer Food Monthly put his marriage to Linda back
in the main frame, so an interview with Uncut magazine reflected on his
years with Wings.
Large parts of Memory Almost Full do, in fact,
sound like Wings on a good day; jaunty, tuneful, laced with high-end
harmonies and spangled by a guitar sound straight off Band on the Run.
There are some over-cute interludes - the clumsy, home-grown hoedown
'Dance Tonight' (the new single) being one - but it's a way more focused
album than usual.
As the title hints, Memory is also what McCartney
calls 'purposefully retrospective', dwelling on his 'Ever Present Past'.
The dreamy 'You Tell Me' deftly evokes drowsy, half-recalled summers -
'Was I there? Let's see...you tell me' - while the five-track sequence
that (almost) closes the album offers a dramatic contemplation of
mortality, from boyhood to the inevitable finale of death. It's a
curious, affecting sequence, even if the multi-layered vocals of
'Vintage Clothes' and 'Feet in the Clouds' veer perilously close to
pastiche - of Wings but also of Beatles imitators like ELO. Still, if
McCartney can't borrow from his own back catalogue, who can?
More
successful is the brisk, potted autobiography of 'That Was Me' - 'at the
scout camp ... playing conkers ... sweating cobwebs under contract in
the cellar' - and the eerie 'House of Wax', with its echoing production
and mournful, opaque lyrics that reek of downfall. 'The End of the End'
is more startling still, a frank stare in death's face where McCartney
proclaims, 'On the day that I die I'd like jokes to be told' and
unfashionably anticipates an afterlife that's 'a journey to a much
better place'.
(theguardian.com/music/2007/may/20/popandrock.shopping2)
01. Dance Tonight (02:54)
02. Ever Present Past (02:57)
03. See Your Sunshine (03:20)
04. Only Mama Knows (04:17)
05. You Tell Me (03:15)
06. Mr Bellamy (03:39)
07. Gratitude (03:19)
08. Vintage Clothes (02:22)
09. That Was Me (02:38)
10. Feet In The Clouds (03:24)
11. House Of Wax (04:59)
12. The End Of The End (02:57)
13. Nod Your Head (02:01)
14. Why So Blue (03:11)
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