Showing posts with label CBS/Sony Inc.. Show all posts
Showing posts with label CBS/Sony Inc.. Show all posts

Friday, November 21, 2025

Pink Floyd - The Final Cut [Japanese Ed. 1st press] (1983)

Year: 21 March 1983 (CD 1983)
Label: CBS/Sony Inc. (Japan), 35DP 53
Style: Art Rock, Progressive Rock
Country: London, England
Time: 43:31
Format: Flac Tracks 16/44,1 kHz
Size: 243 Mb

Rich pop stars often act in predictable ways. They buy large houses in the country, read the wrong daily newspapers, and vote Tory. Pink Floyd’s Roger Waters can be accused of a lot of things, but never of doing what’s expected. So Pink Floyd’s The Final Cut, the follow-up to the multimedia extravaganza The Wall, turns out to be a mini-epic written by Waters, subtitled “a requiem for the post war dream,” and includes the most vicious attack on Mrs Thatcher that the pop world has mounted. When Waters gets going he makes all that “stand down Margaret” stuff sound positively tame.
The lyrics are the most startling part of an otherwise messy, overblown, and awkward album that includes a few strong songs, some brilliant recording work (with whispers, footsteps or other effects mixed into songs with brilliant separation and clarity), and patches that sound like outtakes from The Wall.
The opening anthem, with its chorus “What have we done, Maggie, what have we done to England?” echoes the final song in The Wall and makes it sound as if he’s about to embark on a detailed analysis of the collapse of the welfare state. Instead, he returns to various well-worn Waters themes, from the second world war and the death of his own father (to whom the album is dedicated), to stories of war heroes becoming teachers, or songs of personal madness, interspersed with references to the Falklands and the blistering attacks on Thatcher.
The most vicious, The Fletcher Memorial Home (another reference to his father) imagines Thatcher, along with Haig, Begin and others, in a “home for incurable tyrants and kings.” The album ends, as you might have guessed, with a nuclear holocaust. The songs are mostly quiet, often with orchestral backing interrupted by David Gilmour guitar attacks. Floyd enthusiasts should note that the band are now a three-piece (Richard Wright has escaped over The Wall), and despite the title it’s not necessarily their final album.
(theguardian.com/music/2023/mar/17/pink-floyd-the-final-cut-reviewed-1983)

01. The Post War Dream (03:03)
02. Your Possible Pasts (04:30)
03. One Of The Few (01:13)
04. The Hero's Return (03:00)
05. The Gunners Dream (05:08)
06. Paranoid Eyes (03:44)
07. Get Your Filthy Hands Off My Desert (01:16)
08. The Fletcher Memorial Home (04:15)
09. Southampton Dock (02:12)
10. The Final Cut (04:45)
11. Not Now John (05:03)
12. Two Suns In The Sunset (05:20)

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Sunday, November 9, 2025

Pink Floyd - The Wall [Japanese Ed. 1st press. 2CD] (1979)

Year: 30 November 1979 (CD Jun 21, 1985)
Label: CBS/Sony Inc. (Japan), 50DP 361-2
Style: Progressive Rock, Art Rock
Country: London, England
Time: 39:19, 42:00
Format: Flac Tracks 16/44,1 kHz
Size: 260, 286 Mb

The Wall is a 1979 Pink Floyd album, created after their success with The Dark Side of the Moon, Wish You Were Here, and Animals. It is unique in that it tells a complete story about the life of Pink, a fictional rock star, and his gradual decline into shutting himself away from the world. Being a double album, the first disc chronicles his life from his rocky childhood, with a father who died in war (the ending of In The Flesh?, The Thin Ice, and Another Brick in the Wall, Part 1), abusive teachers (The Happiest Days of Our Lives, Another Brick in the Wall, Part 2), an overprotective mom (Mother), and living in constant fear of war (Goodbye Blue Sky).
To paraphrase from Dan Olson (Folding Ideas on YouTube), the variety of these childhood events is core to the album's theme: there is no one singular event that causes us to shut ourselves off from the world. They are all just bricks in the wall that keep us from others. Empty Spaces, Young Lust, and One Of My Turns show that he's resorted to sex and rock and roll (through the style of these tracks) to fill himself: to numb himself from the possible pain the world can bring him. But it becomes unavoidable when his wife finds out he's been cheating on her (Don't Leave Me Now), and combined with his abusive tendencies towards her, she leaves Pink for good.
This causes him to trash his apartment (Another Brick in the Wall, Part 3) and decide, “I don't need anything at all,” finally shutting himself out (Goodbye Cruel World). The album's first half is very catchy, with the swing of In The Flesh? and the disco beat of Another Brick in the Wall, Part 2 being the best parts for me. The lyrics do a good job of describing his rough childhood and how he's attempted to fill himself with sex, rock and roll, and, as Another Brick in the Wall, Part 3 reveals, drugs. But this is a double album, and the story isn't over yet.
(full version: craccum.co.nz/the-wall-1979-album-review/)

01. In The Flesh? (03:19)
02. The Thin Ice (02:29)
03. Another Brick In The Wall (Part I) (03:10)
04. The Happiest Days Of Our Lives (01:51)
05. Another Brick In The Wall (Part II) (04:00)
06. Mother (05:33)
07. Goodbye Blue Sky (02:49)
08. Empty Spaces (02:07)
09. Young Lust (03:33)
10. One Of My Turns (03:34)
11. Don't Leave Me Now (04:16)
12. Another Brick In The Wall (Part III) (01:17)
13. Goodbye Cruel World (01:14)

01. Hey You (04:41)
02. Is There Anybody Out There (02:57)
03. Nobody Home (03:11)
04. Vera (01:29)
05. Bring The Boys Back Home (01:26)
06. Comfortably Numb (06:23)
07. The Show Must Go On (01:37)
08. In The Flesh (04:15)
09. Run Like Hell (04:20)
10. Waiting For The Worms (04:01)
11. Stop (00:31)
12. The Trial (05:19)
13. Outside The Wall (01:44)

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