Showing posts with label Babe Ruth. Show all posts
Showing posts with label Babe Ruth. Show all posts

Wednesday, September 17, 2025

Babe Ruth - Que Pasa (2009)

Year: 2009 (CD 2009)
Label: Revolver Records (UK), REV XD 265
Style: Progressive Rock, Hard Rock
Country: Hatfield, Hertfordshire, England
Time: 61:34
Format: Flac Tracks 16/44,1 kHz
Size: 444 Mb

Without getting into all the dirt and rehashing old wounds, I think it's safe to say that when British band Babe Ruth decided to pack up shop in 1976, they didn't actually go out on a high note. A mere three years after releasing their stellar debut album First Base things slowly began to go south due to a serious of unforeseen circumstances and personnel changes. The band hit rock bottom when founding member Alan Shacklock decided that he had had enough in 1975. Fast forward approximately thirty years and Babe Ruth have seemingly done the impossible; they've reunited with the classic era lineup of Shacklock (guitars), vocalist Janita Haan, keyboardist Dave Punshon, bassist Dave Hewitt and drummer Ed Spevock. As if this wasn't surprising enough, their brand new album entitled Que Pasa remarkably finds them in many ways picking up right where First Base left off, and yet they've also brought their sound right up to date in the process.
While not exactly what you'd call progressive rock, Babe Ruth's sound was always a formidable blend of straight ahead classic rock, R&B, soul, Spanish influences, with classical orchestrations thrown into the mix as well. On Que Pasa another influence, hip hop, has been added to their diverse sounding musical gumbo. The reason for this is quite simple; it's their way of giving back to the whole B-boy culture that helped keep their music alive during their time out of the spotlight, as one of their most famous songs "The Mexican" off of First Base went on to become a hit with the breakers in the late 70's and early 80's, when DJ's like Kool Herc were spinning the record at house parties in the Bronx.
The familiar western themes are back in full force throughout opening track "4 Dear Life", a barnburner of a track that signals the much heralded return of our heroes. The title track, the first of six tracks to utilize the skills of turntablist DJ Kidsmeal, finds Haan purring her sultry tale as Shacklock's acoustic guitar and Punshon's electric piano creates pure magic as they intertwine effortlessly. Oh...but it's the third song "The Sun, Moon & Stars" where the band really kicks things into the stratosphere. Drummer Ed Spevock gets right into the pocket and lays down a solid groove while Shacklock and Punshon deliver something fans of the band haven't heard since that first album, which are those glorious dual harmony lines that were such a big part of Babe Ruth's sound. The same approach is employed to great effect on "Break For The Border", which is the lyrical follow up to "The Mexican". This song not only highlights some sizzling Spanish style guitar and a smoking solo from Shacklock, but also features plenty of additional percussive accents from Spevock.
In addition to not only writing some great music, principal writer Alan Shacklock has also some spun some masterful prose as well, and vocalist Janita Haan rises to the occasion as she belts out "Doncha Wanna Dance", "4 Letter Word" and "The Blues" (two songs with fabulous horn arrangements by the way) with her typical aplomb. While her vocal pyrotechnics are toned down a bit from the bands glory days, trust me this woman hasn't lost one ounce of her vocal power, and she sounds as potent as she ever has.
There's just so much to like about a record like that is as musically diverse as Que Pasa is. While some die hard fans might not appreciate the turntable scratching and hip hop styled beats on some tracks I think the average, open minded music fan will be able to appreciate what the band is trying to do here. By picking up a few new influences along the way and infusing them with the classic Babe Ruth sound that we've all come to know and love, they can at last say they've delivered a worthy successor to that classic debut album.
(seaoftranquility.org/reviews.php?op=showcontent&id=9253)

01. 4 Dear life (06:45)
02. Que pasa (05:02)
03. The sun, moon and stars (05:18)
04. Mother tongue (part 1) (02:18)
05. Apache (01:47)
06. Mother tongue (part 2) (04:35)
07. Doncha wanna dance (05:28)
08. Break for the border (05:33)
09. Killer smile (05:47)
10. 4 Letter word (05:32)
11. The blues (07:34)
12. The Mexican Millenium (part 1) (03:04)
13. Santa Ana (02:10)
14. The Mexican Millenium (part 2) (00:36)

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Friday, September 5, 2025

Babe Ruth - First Base (1973) CD

Year: 1973 (CD 1991)
Label: One Way Records (Canada), CDLL-57343
Style: Rock, Art Rock
Country: Hatfield, Hertfordshire, England (1970–1976)
Time: 42:06
Format: Flac Tracks 16/44,1 kHz
Size: 279 Mb

Babe Ruth were a rock music group active in the 1970s from Hatfield, Hertfordshire, England. They had a heavy sound marked by powerful vocals from Janita Haan and full arrangements by Alan Shacklock. They had more success in North America than at home.
When the group was first formed in 1971 (year in music), they were called Shacklock after their guitarist Alan Shacklock. Members included Janita Haan and Dave Hewitt. Then Dave Punshon and Dick Powell (brother of Slade drummer Don Powell) joined. The first release was their single "Elusive". The first album, "First Base" went gold in Canada. In 1973, Ed Spevock replaced Powell and Chris Holmes replaced Punshon on the second album. In 1975, Steve Gurl, keyboardist from Wild Turkey replaced Holmes for the third album. The same year, Shacklock exited and Bernie Marsden (Wild Turkey) joined the team for the fourth album. After that Haan and Hewitt left. Though no original member remained, the group got Ellie Hope and Ray Knott for the fifth album in 1976. Shortly before they disbanded they were joined by the young 17 year old Birmingham born Simon Lambeth who made a few appearances on their last tour, his hauntingly naive sound on rhythm guitar behind the lead of Marsden promised much but sadly it was too late; Marsden moved on to bigger things and joined Whitesnake. Simon changed careers and sadly was lost to the music scene.
A disco cover of Babe Ruth's classic "The Mexican" appeared in the late 70's, performed by the Bombers. This version inspired an electro/freestyle cover produced by John Jellybean Benitez in 1984, for which he managed to recruit Haan on vocals. It was a huge underground dance hit.
In late 2005 and early 2006, Haan (now Janita Haan Morris), Shacklock, Punshon, and Hewitt were recording new material together in Nashville [http://www.bobbyshred.com/baberuth.html] , with Spevock recording his drums in London. The album was completed September 2006, and is now available.
(Alan Shacklock (guitars, vocals, organ, percussions) FaceBook - http://www.baberuthband.com/news.asp)

01. Wells Fargo (06:17)
02. The Runaways (07:27)
03. King Kong (06:44)
04. Black Dog (08:03)
05. The Mexican (05:49)
06. Joker (07:43)

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