Benny Anderssons Orkester (ABBA) - Benny Anderssons Orkester (2001)

Year: 28 June 2001 (CD 2001)
Label: Mono Music (Sweden), MMCD 017
Style: Folk Pop, Classical, Jazz, Instrumental
Country: Stockholm, Sweden (16 December 1946)
Time: 47:21
Format: Flac Tracks 16/44,1 kHz
Size: 255 Mb

Charts: SWE #1; Time in weeks: 55; Gold (26 September 2001), Platinum (29 January 2002).
Benny Anderssons orkester, a folk music group founded in 2001 by former ABBA member Benny Andersson, follows the style of Andersson's two solo albums from the 1980s, Klinga mina klockor and November 1989. The album combines traditional Swedish folk music with classical, pop und jazz influences. Out of the 14 tracks on the album, 12 are instrumentals and two ("Var sista dans" and "Latt som en sommarfjaril") feature vocals by Helen Sjoholm, who played the role of Kristina in the musical Kristina fran Duvemala, written by Andersson and former ABBA colleague Bjorn Ulvaeus. Ulvaeus is credited on this album as well, writing the lyrics for the two aforementioned tracks. All music is composed by Benny Andersson, who also produced the album.
The album was recorded on two weekends in the spring of 2001 at Atlantis Studios in Stockholm. This studio, formerly known as Metronome Studio, was the location of many recording sessions for ABBA up until 1976. According to Andersson (the "Kapellmastaren", as he calls himself in the booklet), the recording of the album was "live", which means that all the instruments (including Helen Sjoholm's vocals) were recorded at the same time, in one session. Only slight changes were made afterwards, when the album was finally mixed at Andersson's Mono Music Studios.
Various recordings from this album have also been included on film soundtracks. The film Sanger fran andra vaningen by Roy Andersson includes "Sang fran andra vaningen", "Laureen" and "Tosabiten", and the film Nu ar pappa trott igen by Marie-Louise Ekman features "Cirkus finemang" and "P.S.".
The song "Briggens blaogda blonda kapten" is a tribute to Gorel Hanser (the "blue-eyed, blonde captain", as the title puts it), who has worked together with Andersson and ABBA since the 1970s. To this day, she is responsible for the business aspects of many of Andersson's productions. One of the largest, "Briggenteater Produktion", is responsible for Andersson and Ulvaeus's three musical theatre projects Kristina fran Duvemala, Chess and Mamma Mia!.
The album's opening track, "Hardangervidda", is named after the famous Hardangervidda mountain plateau in Norway. Both vocal tracks on the album were later re-recorded with English lyrics.
(en.wikipedia.org/wiki/Benny_Anderssons_orkester_(album))

01. Hardangervidda (04:09)
02. Snedseglarn (02:46)
03. Cirkus Finemang (04:19)
04. Var Sista Dans (04:49)
05. Briggens Blaogda Blonda Kapten (03:52)
06. Knasluvan (01:56)
07. Anitas Polska (03:17)
08. Schottis I Tyrolen (02:56)
09. Sang Fran Andra Vaningen (03:46)
10. Lauren (04:28)
11. Tosabiten (03:08)
12. Nya Manvalsen (03:06)
13. Latt Som En Sommarfjaril (03:41)
14. P.S. (01:02)

UploadyIo     DailyUploads     TurboBit

All my files:     UploadyIo     DailyUploads     KatFile

Arne Domnerus - Antiphone Blues [K2HD] (1974)

Year: August 26, 1974 (CD April 2008)
Label: Lim Records (US), LIM K2HD 026
Style: Jazz, Classical, Saxophone, Clarinet
Country: Stockholm, Sweden (20 December 1924 - 2 September 2008)
Time: 38:06
Format: Flac Tracks 16/44,1 kHz
Size: 183 Mb

Sven Arne Domnerus (20 December 1924 – 2 September 2008) was a Swedish jazz saxophonist and clarinetist.
He began to play the clarinet at the age of 11 but had taken up the saxophone by the time he left school and then turned professional. In 1949 he performed at the Paris Jazz Festival and with Charlie Parker when Parker was on tour in Sweden in 1950. A few years later he recorded with Clifford Brown, Art Farmer, and James Moody. From the middle 1950s to the middle 1960s he was a featured soloist in the Swedish Radio Big Band. He wrote for film and television and recorded with Lars Gullin and Bengt Hallberg.
With Bengt-Arne Wallin, Rolf Ericson, and Ake Persson (the latter two were former members of Duke Ellington's Orchestra), he participated in the Jazz Workshops organised for the Ruhrfest in Recklinghausen by Hans Gertberg from the Hamburg radio station. He recorded several times with Quincy Jones in Sweden and is featured throughout, "The Midnight Sun Never Sets", composed and arranged by Jones and recorded under Jones' direction by Harry Arnold's orchestra in 1958. Domnerus' playing in his early career was typical of the cool, sophisticated, technically accomplished and lyrical style of Swedish modern jazz during the 1950s. Domnerus' health declined in his last years, and he retired from playing.
He was awarded the Illis quorum by the Swedish government in 1994 and the Litteris et Artibus in 2002.
(en.wikipedia.org/wiki/Arne_Domnerus)

K2HD: It is possible to expand digital data from low-grade formats (32kHz) up to high-grade formats with a maximum of 192kHz/24 bits with K2HD processing. For example, when a CD master is produced from an analog master tape, everything above 20kHz is cut during CD formatting. K2HD processing reproduces the lost high-frequency components almost the same as the analog master.

01. Traumerei (04:34)
02. Sometimes I Feel Like a Motherless Child (02:29)
03. Antiphone Blues (03:23)
04. Nobody Knows The Troble I've Seen (03:13)
05. Jog Vet En Dejlig Rosa (03:12)
06. Entonigt Klingar Den Lilla Klockan (02:43)
07. Heaven (04:37)
08. Come Sunday (03:14)
09. Den Signade Dag (03:39)
10. Almighty God (03:49)
11. Largo (03:09)

UploadyIo

All my files:     UploadyIo     DailyUploads     KatFile

David Darling (Jan Garbarek, Collin Walcott) - Cycles (1982)

Year: Recorded: November 1981, Oslo, Norway (CD 1992)
Label: ECM Records (US), ECM 1219
Style: Jazz, Contemporary Classical
Country: Elkhart, Indiana, U.S. (March 4, 1941 - January 8, 2021)
Time: 46:27
Format: Flac Tracks 16/44,1 kHz
Size: 209 Mb

Cellist David Darling has had a long, if sporadic, association with ECM, quietly forging—either under the guise of solo artist or buried in an album’s roster—some of the label’s most lyrical atmospheres. With Cycles, however, Darling magnified his sound-world through the inimitable talents of Jan Garbarek and Collin Walcott in a space both selfless and uniquely his own. Add to that the astonishing pianism of Steve Kuhn and the depth of Arild Andersen on bass, and you get what is, to this listener at least, one of ECM’s finest celestial alignments.
While I am tempted to give my usual track-by-track impressions, here the album’s title clues us in on another way me might listen to it: that is, as an ever-roving caravan without need of maps or guides. As it stands, Cycles is a bubble of possibility that only expands with every listen. In its opening strains, we kneel atop a cliff of unraveling. Darling’s needlepoint brings light to fullest dark, breathing through Walcott’s tabla and Garbarek’s shawm-like expectorations. Those fluid horsehairs sing like portals, beginning and ending in the same draw. Harmonies linger as afterthoughts of infinite space. From nebulae to star and back to billowing gauze, the music flows into rivers of light—quiet, intense, forgiving. Grooves flicker into life, voices settle into afterlife. Cello and sitar sing into one another, while Kuhn’s wafting fragrances remind us of what it felt like to be on Earth.
Were I to single out one track, however, from this multivalent exhalation, it would have to be “Fly,” a brooding intertwining of cello and saxophone that is a Mt. Everest in the ECM landscape. Garbarek emits some of his most satoric playing here, floating ever skyward. He is a lantern hung in the clouds, a riddle whose denouement only reveals further mystery.
The stellar playing throughout is only enhanced by the sound. The engineering on Cycles is pristine beyond measure and raised the bar of the label’s usual auditory standards. To prattle on any more would ruin the effect. Suffice it to say: don’t miss this one.
(ecmreviews.com/2011/11/08/cycles/)

01. Cycle Song (07:10)
02. Cycle One: Namaste (04:11)
03. Fly (09:25)
04. Ode (06:55)
05. Cycle Two: Trio (05:30)
06. Cycle Three: Quintet and Coda (07:52)
07. Jessica's Sunwheel (05:21)

UploadyIo     DailyUploads

All my files:     UploadyIo     DailyUploads     KatFile

Ginger Baker (ex Cream) - Falling Off The Roof (1996)

Year: 1996 (CD 1996)
Label: Atlantic Records (Germany), 7567-82900-2
Style: Instrumental, Jazz, Jazz Rock
Country: Lewisham, South London, England (19 August 1939 - 6 October 2019)
Time: 57:55
Format: Flac Tracks 16/44,1 kHz
Size: 370 Mb

It is credited to his trio, which included Charlie Haden on bass and Bill Frisell on guitar. It peaked at No. 13 on Billboard's Top Jazz Albums chart.
The album was produced by Baker and Malcolm Cecil and included original songs from each member of the trio. Baker fell off the roof of his Parker, Colorado, home three days prior to the start of the Seattle recording sessions; he played while dealing with the effects of a concussion and a broken rib. The album was finished in Los Angeles, in a studio next to one that was being used by Guns N' Roses. Baker liked neither the studio nor the musical style of the drummers used by Guns N' Roses. Jerry Hahn played guitar on "Sunday at the Hillcrest". Bela Fleck played banjo on three of the tracks. "Bemsha Swing" is a version of the Thelonious Monk composition. "Vino Vecchio" is a reworking of Cream's "Sweet Wine". "Au Privave" was written by Charlie Parker.
(en.wikipedia.org/wiki/Falling_Off_the_Roof)

01. Falling off the Roof (04:00)
02. Amarillo Barbados (04:41)
03. Bemsha Swing (04:21)
04. Sunday at the Hillcrest (05:54)
05. Au Privave (03:06)
06. Our Spanish Love Song (05:21)
07. Cbc Mimps (06:49)
08. Skeleton (05:57)
09. Vino Becchio (03:56)
10. The Day the Sun Come Out (08:23)
11. Taney County (05:23)

UploadyIo     DailyUploads

All my files:     UploadyIo     DailyUploads     KatFile