Showing posts with label Rock and Roll. Show all posts
Showing posts with label Rock and Roll. Show all posts

Saturday, November 29, 2025

The Rolling Stones - The Rolling Stones, Now! [Japanese Ed.] (1965)

♠ Year: 13 February 1965 (CD Apr 25, 1989)
♣ Label: Polydor Records (Japan), P25L 25034
♥ Style: Classic Rock, Rhythm and Blues, Rock and Roll
♦ Country: London, England
♪ Time: 36:25
♪ Format: Flac Tracks 16/44,1 kHz
♪ Size: 198 Mb

U.S. issues of the UK Rolling Stones No. 2 LP.
It was a love of the blues and early American R&B that forged the friendship between a teenage Mick Jagger and Keith Richards down Dartford way, so it’s only fitting that the Rolling Stones’ second release continued to rely upon these building blocks.
Consequently, we’re treated to the fledgling Stones’ take on Chuck Berry’s You Can’t Catch Me, a fairly faithful rendering, but with Jagger’s decidedly English sneer and Richards’ rolling, ramshackle riffery adding to its original charm.
The Jagger/Richards songwriting partnership also gains momentum, with three composition credits to their name – Off The Hook with its Yardbird-esque guitar motif and relentless refrain; What A Shame is a bluesy bruiser and gives bassist Bill Wyman a moment to shine under Brian Jones’s sparse bottleneck, while Grown Up Wrong pays real homage to their hero Mr Berry.
But in terms of solid blues prowess, it’s the band’s interpretation of Muddy Waters’ I Can’t Be Satisfied that truly impresses – Brian Jones’s fluid slide playing on this track was seldom bettered.
No.2 was a monster hit in the UK, and deservedly so as it convincingly straddled the bridges between the blues and rock’n’roll and set the blueprint for the relentless Rolling Stones march into the future.
(loudersound.com/features/the-best-30-british-blues-rock-albums-ever)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Everybody Needs Somebody To Love (Version 2) (03:01)
02. Down Home Girl (04:15)
03. You Can't Catch Me (03:40)
04. Heart Of Stone (02:52)
05. What A Shame (03:09)
06. I Need You Baby (Mona) (03:37)
07. Down The Road Apiece (03:01)
08. Off The Hook (02:39)
09. Pain In My Heart (Version 1) (02:15)
10. Oh! Baby (We Got A Good Thing Goin') (Version 1) (02:12)
11. Little Red Rooster (03:08)
12. Surprise, Surprise (02:30)

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Monday, November 10, 2025

Keith Richards & The X-pensive Winos - Live At The Hollywood Palladium, December 15, 1988 (1991)

Year: 10 December 1991 (CD )
Label: Virgin Records (UK), CDVUS 45, 262 439
Style: Rhythm and Blues, Rock and Roll
Country: Dartford, Kent, England (18 December 1943)
Time: 67:31
Format: Flac Tracks 16/44,1 kHz
Size: 440 Mb

Live at the Hollywood Palladium, December 15, 1988 is a live album by Keith Richards, released on 10 December 1991 in the United States and 24 February 1992 in the United Kingdom. Recorded during a brief American tour in support of Richards debut solo album Talk Is Cheap in late 1988, Richards is supported by a set of musicians and friends dubbed "The X-Pensive Winos".
At the end of the opening song, Richards says that the Palladium is "a stage I've been thrown off many times"; he was referring to Chuck Berry's concert there on January 21, 1972, when Richards tried to perform with his idol, but was purportedly kicked off for playing too loudly, though Berry later claimed he had not recognized Richards.
Richards' set during the tour was composed primarily of material from his solo debut album – he played nine of the eleven songs from the record.
Live at the Hollywood Palladium, December 15, 1988 was recorded, videotaped, and ultimately released as an album at the suggestion of Jane Rose, Richards tenured manager. Officially credited as executive producer, she encouraged Richards to consider the official release after showing the reluctant star bootlegs of inferior audio quality.[4] The album was released in North America during the Christmas season, in the wake of the Stones live album Flashpoint, and before the recording of Richards' second solo studio album, Main Offender.
(en.wikipedia.org/wiki/Live_at_the_Hollywood_Palladium,_December_15,_1988)

01. Take It So Hard (04:28)
02. How I Wish (04:04)
03. I Could Have Stood You Up (04:29)
04. Too Rude (07:45)
05. Make No Mistake (06:30)
06. Time Is On My Side (04:29)
07. Big Enough (03:47)
08. Whip It Up (05:34)
09. Locked Away (05:48)
10. Struggle (04:35)
11. Happy (07:07)
12. Connection (02:30)
13. Rockawhile (06:19)

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The Rolling Stones - 12 x 5 [Japanese Ed.] (1964)

Year: 17 October 1964 (CD Apr 25, 1989)
Label: Polydor Records (Japan), P25L 25032
Style: Classic Rock, Rhythm and Blues, Rock and Roll
Country: London, England
Time: 31:15
Format: Flac Tracks 16/44,1 kHz
Size: 163 Mb

Imagine that in moments of smart alecky tomfoolery, many a person has looked at the cover of The Rolling Stones12 X 5 and yelled, “Sixty,” soon followed by uncontrollable giggling at their own corny brilliance. Had the same people seen the British EP which featured songs that appeared on 12 X 5, they would have probably yelled “Twenty-five.” In either case, the joke would most likely be met with blank stares and shaking heads, maybe a few befuddled shrugs from people not familiar with multiplication or amused by arithmetic.
The twelve songs by the five piece Stones which comprise 12 X 5 are, like its predecessor, deeply entrenched in rhythm and blues and soul; brimming with lively covers and boasting the support of bad-boy Brian Jones. Unlike its predecessor, the album offers some early Stones originals, which, though they stand on forgivably shaky legs, give a taste of what’s to come. It’s definitely an album of portent, something of a glimpse at the bands roots before Out of Our Heads or the all-original Aftermath.
The album kicks off with Chuck Berry’s “Around and Around.” The cover showcases the rhythm section, Keith Richards’ lead guitar, Jones’ piano and Mick Jagger’s vocals working in unison to create a catchy, bopping whole. The same can be said of “It’s All Over Now,” the rhythm section of Charlie Watts and Bill Wyman demonstrating their immense importance to the band as Jones and Richards guitars open up into solo bravado. “Confessin’ the Blues” crawls with a standard blues riff, Jones and Richards once again sharing guitar duties, seamlessly giving way for Jagger to wrap that mouth of his around a harmonica.
Ushered in by organ or a tasty guitar lick (depending on what version of the song you have) is The Rolling Stones’ first top-ten single stateside, “Time Is On My Side.” Originally recorded by Irma Thomas, Jagger’s lament and taunting backed by the band guide the song from beginning to the fading repetition of the song’s title, pulsing the word “time” for emphasis. Both “Time Is On My Side” and “Around and Around” were the two songs the band played on their first appearance on “The Ed Sullivan Show” in 1964. Apparently frightened by their motley looks, Sullivan vowed to never have them on the show again. In 1967, The Rolling Stones once again appeared on “The Ed Sullivan Show,” this time playing “Let’s Spend the Night Together.”
On the Rolling Stones original songs, it sounds as if Jagger is attempting to tame the muse of lyric writing with a Mars bar and a pouty-lipped pucker. While “Good Times, Bad Times,” the jilted “Congradulations,” and “Grown Up Wrong” aren’t bad by any means, they don’t have the same memorable melodic quality or the lyrical intelligence of what was to come. They stand there for the most part without the pomp, circumstance or flooring power that would characterize, for instance, the riff of “Satisfaction” or the sudden dark blast of “Paint it Black.”
Under the pseudonymous group guise of Nanker Phelge, the band delivers a grooving jam on “2120 South Michigan Avenue.” Named after the street address of Chess Records, the band blends organs, harmonica hums, blistering solos, warm thudding bass and tattering drums. Nanker Phelge also gets the credit for “Empty Heart,” a bounding rhythm and blues track that, along with “Grown Up Wrong,” is arguably one of the best of the album’s originals.
While there’s no iconic Jagger/Richards-written songs on 12 X 5, it’s an album bursting with energy and begging to be heard. By the following year, time matured the group into rock stars grown right, still tied to their roots but coming into their own in a satisfying way.
(treblezine.com/rolling-stones-12x5/) Review by Hubert Vigilla, September 19, 2004.

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Around And Around (03:08)
02. Confessin' The Blues (02:51)
03. Empty Heart (02:39)
04. Time Is On My Side (02:55)
05. Good Times, Bad Times (02:36)
06. It's All Over Now (03:30)
07. 2120 South Michigan Avenue (02:10)
08. Under The Boardwalk (02:48)
09. Congratulations (02:30)
10. Grown Up Wrong (02:08)
11. If You Need Me (02:06)
12. Susie Q (01:49)

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Monday, November 3, 2025

Faces (Rod Stewart) - Ooh La La (1973)

Year: March 1973 (CD Sep 14, 1993)
Label: Warner Bros. Records (US), 2665-2
Style: Rock, Rock and Roll
Country: London, England
Time: 30:30
Format: Flac Tracks 16/44,1 kHz
Size: 195 Mb

Ooh La La is the fourth studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973.
The cover of the album was designed by Jim Ladwig, around a stylised photograph of "Gastone", a stage character of 1920s Italian comedian Ettore Petrolini. The original LP's Art Deco-inspired cover was constructed in such a way that when the top edge of the sleeve was pressed down, a concealed die-cut design element would descend that made Gastone's eyes appear to discolour and move to the side, and his jaw would appear to drop into a leering smile. The back cover also featured art deco-inspired design elements, and detailed song information and album credits alongside tinted individual photographic portraits of the band members. The original gatefold sleeve's inner design depicted a large stylised photomontage of the band in typical 'laddish' pose, admiring the charms of a can-can dancer (referencing the lyric of the title track).
(en.wikipedia.org/wiki/Ooh_La_La_(Faces_album))

01. Silicone Grown (03:06)
02. Cindy Incidentally (02:38)
03. Flags And Banners (02:02)
04. My Fault (03:07)
05. Borstal Boys (02:55)
06. Fly In The Ointment (03:50)
07. If I'm On The Late Side (02:38)
08. Glad And Sorry (03:07)
09. Just Another Honky (03:33)
10. Ooh La La (03:30)

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Friday, October 10, 2025

Mickey Jupp - Juppanese (1978)

Year: 1978 (CD 2006)
Label: Repertoire Records (Germany), REPUK 1084
Style: Rock, Pub Rock, Rhythm and Blues, Rock and Roll
Country: Worthing, Sussex, England (6 March 1944)
Time: 57:53
Format: Flac Tracks 16/44,1 kHz
Size: 400 Mb

Like Dave Edmunds, guitarist/pianist/vocalist Mickey Jupp was a champion of traditional rock & roll during the late '70s, a time when it had been all but discarded. Unlike Edmunds, Jupp wrote the majority of his own material, which updated '50s rock & roll with a tongue-in-cheek irony.
Jupp began his career with the Essex-based British R&B group the Orioles in the early '60s. The band earned a devoted local following in the early '60s, yet they never had the opportunity to record. The Orioles broke up late in 1965 after Jupp was arrested for not making alimony payments to his wife. Three years later, he returned to music, forming Legend, who laid the groundwork for English pub rock of the early '70s. Following the release of their third album in 1971, Legend disbanded and Jupp took another lengthy break from music. When he was coaxed back into performing in 1975 by Lee Brilleaux, the lead singer of Dr. Feelgood, pub rock was in its last days yet Jupp was well respected in the scene, since both Ducks Deluxe and Dr. Feelgood had recorded versions of his songs ("Cheque Book" and "Down at the Doctors," respectively).
Jupp released his first solo single, "Nature's Radio," on Arista Records in 1978. The single led to a contract with Stiff Records, who released the "Old Rock 'N' Roller" single and the Juppanese album in 1978; the bulk of Juppanese was recorded with Rockpile and produced by Nick Lowe. Released the same year as his debut, Mickey Jupp's Legend featured material from his previous band. Following the release of Juppanese, Jupp joined Stiff's Rail Tour, although he left the lineup before it hit the U.S. because he was afraid of flying. Shortly afterward, he left Stiff Records and signed with Chrysalis in 1979. The same year he released Long Distance Romancer, which was produced by 10cc members Kevin Godley and Lol Creme; like Juppanese, it failed to gain a large audience. Jupp moved over to A&M Records in 1982, releasing Some People Can't Dance. After releasing one more record on A&M, 1983's Shampoo Haircut and Shave, he was dropped from the label. Jupp spent the rest of the '80s and '90s touring the U.K., releasing the occasional album on independent labels.
After releasing one more record on A&M, 1983's Shampoo Haircut and Shave, he was dropped from the label. Jupp spent the rest of the '80s and '90s touring the U.K., releasing the occasional album on independent labels.
(mickeyjupp.se/)

01. Making Friends (03:27)
02. Short List (02:39)
03. Old Rock 'n' Roller (03:09)
04. School (03:09)
05. If Only Mother (03:01)
06. Down In Old New Orleans (03:09)
07. You'll Never Get Me Up In One Of Those (03:14)
08. Pilot (03:53)
09. S.P.Y (03:24)
10. The Ballad Of Billy Bonney (03:30)
11. Partir C'est Mourir Un Peu (04:09)
12. Brother Doctor, Sister Nurse (04:03)
13. Nature's Radio (Single B-Side) (03:25)
14. You Made A Fool Out Of Me (LP Stiff Sounds) (04:10)
15. Be Stiff (LP Be Stiff) (02:59)
16. Don't Talk To Me (Single A-Side) (03:24)
17. Junk In My Trunk (Single B.-Side) (02:58)

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Wednesday, September 10, 2025

Dave Edmunds - Subtle As A Flying Mallet (1975)

Year: April 1975 (CD 2006)
Label: Acadia Records (UK), ACA 8114
Style: Rock and Roll
Country: Cardiff, Wales (15 April 1944)
Time: 43:14
Format: Flac Tracks 16/44,1 kHz
Size: 316 Mb

David William Edmunds (born 15 April 1944) is a Welsh singer, guitarist, and record producer who helped revive the sound of 1950s rock and roll and rockabilly during the 1970s and 1980s. He first rose to prominence as the lead guitarist of Love Sculpture, known for their high-tempo instrumental “Sabre Dance,” before launching a successful solo career. His 1970 cover of Smiley Lewis’s “I Hear You Knocking” became a UK Christmas No. 1 and reached No. 4 in the US. In 1976 he co-founded the band Rockpile with Nick Lowe, Billy Bremner and Terry Williams, combining pub rock, new wave and power pop influences, notably releasing the album Seconds of Pleasure in 1980. Throughout his career, Edmunds was also acclaimed as a producer, working with artists such as Nick Lowe and the Stray Cats. He released several notable solo albums including Repeat When Necessary (1979), D.E. 7th (1982) and Information (1983) before retiring in 2017. Regarded as a “musician’s musician,” Edmunds is celebrated for his crisp guitar style, deep respect for roots music, and bridging of eras in British and American rock traditions.
(en.wikipedia.org/wiki/Dave_Edmunds)

01. Baby I Love You (03:32)
02. Leave My Woman Alone (02:38)
03. Maybe (02:51)
04. Da Doo Ron Ron (02:19)
05. Let It Be Me (02:45)
06. No Money Down (03:52)
07. Shot Of Rhythm And Blues (02:44)
08. Billy The Kid (03:34)
09. Born To Be With You (03:31)
10. She's My Baby (03:39)
11. I Ain't Never (03:20)
12. Let It Rock (03:03)
13. Pick Axe Rag (02:56)
14. Some Other Guy (02:25)

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