Showing posts with label Polydor Records. Show all posts
Showing posts with label Polydor Records. Show all posts

Tuesday, December 9, 2025

Eric Burdon (The Animals) - Survivor (1978)

Year: 1978 (CD ????)
Label: Polydor Records (????), 2310 577
Style: Rhythm and Blues, Rock and Roll, Classic Rock
Country: Walker, Newcastle upon Tyne, England (11 May 1941)
Time: 40:52
Format: Flac Tracks 16/44,1 kHz
Size: 282 Mb

With 8 out 10 numbers credited to Zoot Money (17 July 1942 – 8 September 2024) & Eric Burdon what you have here is a good time Rock n Roll recording with a hoard of artists. With the exception of Hollywood woman, Eric's voice is in fine form, backed by many including Maggie Bell, coming out strong on woman of the rings. Many good time rock n roll guitarists all over this release including Alexs Korner, whom together with Eric revisit their roots and perform a stand out track, Brownie Mcghee's I was born to live the blues, the only non RnR number on this release. This album is definitely up there with rock n roll releases of the Seventies.
(allmusic.com/album/survivor-mw0000847661)

01. Rocky (04:02)
02. Woman Of Rings (04:16)
03. The Kid (03:12)
04. Tomb Of The Unknown Singer (04:29)
05. Famous Flames (04:19)
06. Hollywood Woman (03:53)
07. Hook Of Holland (04:32)
08. I Was Born To Live The Blues (03:55)
09. Highway Dealer (03:28)
10. P. O. Box 500 (04:41)

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Saturday, November 29, 2025

The Rolling Stones - The Rolling Stones, Now! [Japanese Ed.] (1965)

♠ Year: 13 February 1965 (CD Apr 25, 1989)
♣ Label: Polydor Records (Japan), P25L 25034
♥ Style: Classic Rock, Rhythm and Blues, Rock and Roll
♦ Country: London, England
♪ Time: 36:25
♪ Format: Flac Tracks 16/44,1 kHz
♪ Size: 198 Mb

U.S. issues of the UK Rolling Stones No. 2 LP.
It was a love of the blues and early American R&B that forged the friendship between a teenage Mick Jagger and Keith Richards down Dartford way, so it’s only fitting that the Rolling Stones’ second release continued to rely upon these building blocks.
Consequently, we’re treated to the fledgling Stones’ take on Chuck Berry’s You Can’t Catch Me, a fairly faithful rendering, but with Jagger’s decidedly English sneer and Richards’ rolling, ramshackle riffery adding to its original charm.
The Jagger/Richards songwriting partnership also gains momentum, with three composition credits to their name – Off The Hook with its Yardbird-esque guitar motif and relentless refrain; What A Shame is a bluesy bruiser and gives bassist Bill Wyman a moment to shine under Brian Jones’s sparse bottleneck, while Grown Up Wrong pays real homage to their hero Mr Berry.
But in terms of solid blues prowess, it’s the band’s interpretation of Muddy Waters’ I Can’t Be Satisfied that truly impresses – Brian Jones’s fluid slide playing on this track was seldom bettered.
No.2 was a monster hit in the UK, and deservedly so as it convincingly straddled the bridges between the blues and rock’n’roll and set the blueprint for the relentless Rolling Stones march into the future.
(loudersound.com/features/the-best-30-british-blues-rock-albums-ever)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Everybody Needs Somebody To Love (Version 2) (03:01)
02. Down Home Girl (04:15)
03. You Can't Catch Me (03:40)
04. Heart Of Stone (02:52)
05. What A Shame (03:09)
06. I Need You Baby (Mona) (03:37)
07. Down The Road Apiece (03:01)
08. Off The Hook (02:39)
09. Pain In My Heart (Version 1) (02:15)
10. Oh! Baby (We Got A Good Thing Goin') (Version 1) (02:12)
11. Little Red Rooster (03:08)
12. Surprise, Surprise (02:30)

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Tuesday, November 11, 2025

The Who - The Who by Numbers (1975)

Year: 3 October 1975 (CD 1987)
Label: Polydor Records (West Germany), 831552-2
Style: Classic Rock, Rock, Pop Rock
Country: London, England
Time: 37:29
Format: Flac Tracks 16/44,1 kHz
Size: 227 Mb

With both the successes and failures of conceptual rock operas behind them, The Who made a transitional record with 1975’s The Who By Numbers. The album contains some leftover tracks from early 1970s aborted projects, Lifehouse and Long Live Rock, along with a few other tracks which remain faithful to the group’s classic rock sound. Conversely, the rest of the album contains songs previewing the solo work of guitarist Pete Townshend, who would become an ever dominant force in the group.
Townshend admits that, The Who By Numbers, was very difficult to compose and record as he suffered from writer’s block and a bout of depression as his 30th birthday approached. Produced by Glyn Johns, the sessions for the album were reportedly long and uninspired, only saved by the group’s stellar performances even when at their worst. The apathy of this project went so far that no one really cared about packaging, so bassist John Entwistle submitted the hand-drawn artwork which became the album’s cover.
Slip Kid” opens with and is built on a steady percussion which persists throughout without much further affirmative animation by drummer Keith Moon. Townshend provides crisp riffing throughout and a soaring guitar lead in the middle, with a post-lead interplay section between his pedal-effected guitars and the piano tickling of guest Nicky Hopkins. “However Much I Booze” features a bright acoustic, with bouncy bass and steady drums throughout the pleasant verses. Townshend takes lead vocals above an arrangement which is reflective of a traditional Who track in dynamics and theatrical vibe.
(full version: classicrockreview.com/2015/10/1975-the-who-by-numbers/)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Slip Kid (04:31)
02. However Much I Booze (05:05)
03. Squeeze Box (02:43)
04. Dreaming From the Waist (04:09)
05. Imagine a Man (04:06)
06. Success Story (03:25)
07. They Are All in Love (03:02)
08. Blue, Red and Grey (02:51)
09. How Many Friends (04:09)
10. In a Hand or a Face (03:25)

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Monday, November 10, 2025

The Rolling Stones - 12 x 5 [Japanese Ed.] (1964)

Year: 17 October 1964 (CD Apr 25, 1989)
Label: Polydor Records (Japan), P25L 25032
Style: Classic Rock, Rhythm and Blues, Rock and Roll
Country: London, England
Time: 31:15
Format: Flac Tracks 16/44,1 kHz
Size: 163 Mb

Imagine that in moments of smart alecky tomfoolery, many a person has looked at the cover of The Rolling Stones12 X 5 and yelled, “Sixty,” soon followed by uncontrollable giggling at their own corny brilliance. Had the same people seen the British EP which featured songs that appeared on 12 X 5, they would have probably yelled “Twenty-five.” In either case, the joke would most likely be met with blank stares and shaking heads, maybe a few befuddled shrugs from people not familiar with multiplication or amused by arithmetic.
The twelve songs by the five piece Stones which comprise 12 X 5 are, like its predecessor, deeply entrenched in rhythm and blues and soul; brimming with lively covers and boasting the support of bad-boy Brian Jones. Unlike its predecessor, the album offers some early Stones originals, which, though they stand on forgivably shaky legs, give a taste of what’s to come. It’s definitely an album of portent, something of a glimpse at the bands roots before Out of Our Heads or the all-original Aftermath.
The album kicks off with Chuck Berry’s “Around and Around.” The cover showcases the rhythm section, Keith Richards’ lead guitar, Jones’ piano and Mick Jagger’s vocals working in unison to create a catchy, bopping whole. The same can be said of “It’s All Over Now,” the rhythm section of Charlie Watts and Bill Wyman demonstrating their immense importance to the band as Jones and Richards guitars open up into solo bravado. “Confessin’ the Blues” crawls with a standard blues riff, Jones and Richards once again sharing guitar duties, seamlessly giving way for Jagger to wrap that mouth of his around a harmonica.
Ushered in by organ or a tasty guitar lick (depending on what version of the song you have) is The Rolling Stones’ first top-ten single stateside, “Time Is On My Side.” Originally recorded by Irma Thomas, Jagger’s lament and taunting backed by the band guide the song from beginning to the fading repetition of the song’s title, pulsing the word “time” for emphasis. Both “Time Is On My Side” and “Around and Around” were the two songs the band played on their first appearance on “The Ed Sullivan Show” in 1964. Apparently frightened by their motley looks, Sullivan vowed to never have them on the show again. In 1967, The Rolling Stones once again appeared on “The Ed Sullivan Show,” this time playing “Let’s Spend the Night Together.”
On the Rolling Stones original songs, it sounds as if Jagger is attempting to tame the muse of lyric writing with a Mars bar and a pouty-lipped pucker. While “Good Times, Bad Times,” the jilted “Congradulations,” and “Grown Up Wrong” aren’t bad by any means, they don’t have the same memorable melodic quality or the lyrical intelligence of what was to come. They stand there for the most part without the pomp, circumstance or flooring power that would characterize, for instance, the riff of “Satisfaction” or the sudden dark blast of “Paint it Black.”
Under the pseudonymous group guise of Nanker Phelge, the band delivers a grooving jam on “2120 South Michigan Avenue.” Named after the street address of Chess Records, the band blends organs, harmonica hums, blistering solos, warm thudding bass and tattering drums. Nanker Phelge also gets the credit for “Empty Heart,” a bounding rhythm and blues track that, along with “Grown Up Wrong,” is arguably one of the best of the album’s originals.
While there’s no iconic Jagger/Richards-written songs on 12 X 5, it’s an album bursting with energy and begging to be heard. By the following year, time matured the group into rock stars grown right, still tied to their roots but coming into their own in a satisfying way.
(treblezine.com/rolling-stones-12x5/) Review by Hubert Vigilla, September 19, 2004.

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Around And Around (03:08)
02. Confessin' The Blues (02:51)
03. Empty Heart (02:39)
04. Time Is On My Side (02:55)
05. Good Times, Bad Times (02:36)
06. It's All Over Now (03:30)
07. 2120 South Michigan Avenue (02:10)
08. Under The Boardwalk (02:48)
09. Congratulations (02:30)
10. Grown Up Wrong (02:08)
11. If You Need Me (02:06)
12. Susie Q (01:49)

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Wednesday, September 24, 2025

Jon (Yes) and Vangelis (Aphrodite's Child) - Private Collection (1983)

Year: May 1983 (CD 1983)
Label: Polydor Records (Germany), 813174-2
Style: Electronic, Art Rock, Modern Classical
Country: Greece / United Kingdom
Time: 47:38
Format: Flac Tracks 16/44,1 kHz
Size: 257 Mb

Charts: UK #22, AUS #31, AUT #18, CAN #78, GER #27, NL #15, NZ #45, SPA #10, SWE #24, US #148.
Jon & Vangelis' first two albums really seemed to be building up to this point. With Private Collection, the two artists (Jon Anderson of Yes fame and Vangelis) have created what feels just a bit like a classical work. Truly the nearly 23-minute "Horizon" really feels a lot like a modern symphony. It is definitely the culmination of their work together, their most ambitious effort. The shorter cuts on the album all have their moments and surely hold up to anything from the previous releases, but "Horizon" stands far above them all. It combines the best elements of Anderson's work in Yes with the electronically classically tinged stylings of Vangelis to produce a work that is near masterpiece in its quality. It is a life-affirming, positive piece. Among the other highlights of the disc are "Deborah" and "He Is Sailing." If you only buy one Jon & Vangelis album, choose the best-of collection. However, if you opt for a second disc, this is the one.
(allmusic.com/album/private-collection-mw0000650325)

01. Italian Song (02:54)
03. Deborah (04:56)
04. Polonaise (05:26)
05. He Is Sailing (06:49)
06. Horizon (22:53)

Jon-And-Vangelis83-Private-01 Jon-And-Vangelis83-Private-02

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Saturday, September 13, 2025

Golden Earring - Moontan [Japanese Ed.] (1973)

Year: August 1973 (CD ????)
Label: Polydor Records (Japan), POCM-2485136
Style: Rock, Classic Rock
Country: The Hague, Netherlands
Time: 48:43
Format: Flac Tracks 16/44,1 kHz
Size: 322 Mb

Moontan is the ninth studio album by Dutch rock band Golden Earring, first released in August 1973 through Polydor internationally, Track Records in the United Kingdom, and MCA Records in the United States. It contains the radio hit "Radar Love", and was voted ninth-best Dutch pop album ever by readers of music magazine Oor in 2008. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album rated No. 32 in its list of "40 Cosmic Rock Albums". Moontan is the band's most successful album in the United States, being the only Golden Earring album to be certified Gold by the RIAA.
"Vanilla Queen" twice samples Marilyn Monroe's character in There's No Business Like Show Business: "Well, in simple English I'm..." from the "Lazy" performance and "What's your name, Honey?" from the "Heat Wave" performance.
(en.wikipedia.org/wiki/Moontan)

01. Candy's Going Bad (06:12)
02. Are You Receiving Me (09:32)
03. Suzy Lunacy (Mental Rock) (04:25)
04. Radar Love (06:26)
05. Just Like Vince Taylor (04:33)
06. The Vanilla Queen (09:17)
07. Big Tree Blue Sea (08:16)

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Sunday, August 17, 2025

Jon (Yes) and Vangelis (Aphrodite's Child) - Short Stories (1980)

Year: January 1980 (CD 1983)
Label: PolyGram Records (Germany), 800 027-2
Style: Electronic, Art Rock
Country: Greece / United Kingdom
Time: 45:14
Format: Flac Tracks 16/44,1 kHz
Size: 211 Mb

Charts: UK #4, AUS #65, AUT #18, GER #30, NL #1, US #125, FRA #13, NOR #31. Netherlands: Gold, United Kingdom: Gold.
Review Summary: This is a very beautiful and magical album that came just in the right time. It shows the musical world of both musicians almost in a perfect way.
Jon & Vangelis was a musical project formed by the lead singer of Yes Jon Anderson and the famous Greek electronic pioneer musician Vangelis, in the 80’s. This wasn’t the first time the two had worked together. The first meeting between them took place in London, in the 70’s. Vangelis was to be the natural replacement for Rick Wakeman on the keyboards, in Yes, when he left the band after the release of their sixth studio album “Tales From Topographic Oceans”. It would never happen especially due to personal reasons of Vangelis. Meanwhile, the role went to the second choice, the Swiss keyboardist Patrick Moraz. Still, Jon Anderson has participated already, in the role of vocalist, on albums of Vangelis like “Heaven And Hell”, “See You Latter”, and played harp on the album “Opera Sauvage”, too.
So, “Short Stories” is the debut studio album of Jon Anderson and Vangelis Papathanassiou and was released in 1980. Jon Anderson was the author of the lyrics and performed all the vocals and the music was all composed by Vangelis Papathanassiou which also performed all the instruments, keyboards, synthesizers, piano and electronics. Beyond them, the album had also the participation of Raphael Preston on acoustic guitars, with some small contributions.
(Full version: sputnikmusic.com/review/78687/Jon-and-Vangelis-Short-Stories/)

01. Curious Electric (06:42)
02. Each And Everyday + Bird Son (05:08)
03. I Hear You Now (05:13)
04. The Road (04:31)
05. Far Away In Baagad (08:03)
06. Love Is + One More Time (06:18)
07. Thunder (02:14)
08. A Play Within A Play (07:02)

Jon-And-Vangelis80-Short-01 Jon-And-Vangelis80-Short-02 Jon-And-Vangelis80-Short-back

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Thursday, August 14, 2025

Slade - Feel The Noize - Greatest Hits (1997)

Year: February 1997 (CD ????)
Label: Polydor Records (Germany), 537 105-2
Style: Classic Rock, Glam Rock, Hard Rock
Country: Wolverhampton, Staffordshire, England
Time: 79:22
Format: Flac Tracks 16/44,1 kHz
Size: 553 Mb

Feel The Noize - Greatest Hits is a compilation album by the British rock band Slade. It was released in January 1997 and reached No. 19 in the UK charts, remaining in the charts for six weeks. The success of the compilation encouraged other bands of the Glam Rock era to release their own 'Greatest Hits' packages. At the time, a resurgence in Seventies music was happening, due to the constant mentions from Blur's Damon Albarn and Oasis's Noel Gallagher.
All tracks are written by Noddy Holder and Jim Lea except "Get Down and Get with It" by Bobby Marchan, "Look Wot You Dun" by Holder, Lea and Don Powell, and "Radio Wall of Sound" by Lea.
(en.wikipedia.org/wiki/Feel_the_Noize_%E2%80%93_Greatest_Hits)

01. Get Down And Get With It (03:50)
02. Coz I Luv You (03:24)
03. Look Wot You Dun (02:54)
04. Take Me Bak 'Ome (03:13)
05. Mama Weer All Crazee Now (03:44)
06. Gudbuy T'Jane (03:31)
07. Cum On Feel The Noize (04:31)
08. Skweeze Me, Pleeze Me (04:29)
09. My Friend Stan (02:41)
10. Everyday (03:10)
11. Bangin' Man (04:10)
12. Far Far Away (03:36)
13. How Does It Feel (05:54)
14. In For A Penny (03:35)
15. We'll Bring The House Down (03:33)
16. Lock Up Your Daughters (03:32)
17. My Oh My (04:12)
18. Run Run Away (03:44)
19. All Join Hands (04:16)
20. Radio Wall Of Sound (03:47)
21. Merry Xmas Everybody (03:26)

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