Showing posts with label 1981. Show all posts
Showing posts with label 1981. Show all posts

Saturday, November 29, 2025

Saxon - Denim And Leather (1981)

Year: 25 September 1981 (CD Oct 1987)
Label: Fame Records (UK), CD-FA 3175
Style: Hard Rock, Heavy Metal
Country: Barnsley, South Yorkshire, England
Time: 38:01
Format: Flac Tracks 16/44,1 kHz
Size: 278 Mb

Produced by Nigel Thomas, Denim and Leather is less abrasive than the previous albums but still sonic meat and potatoes. It’s topped and tailed with two of the greatest songs Saxon would ever produce. Continuing their penchant for offbeat lyrical subjects and songs about forms of transport, opening track Princess of the Night tells the tale of a steam train delivering mail through ice and snow. (You’ll have to suspend your disbelief at a British train actually running during such inclement weather). It’s a darting, precision rocker with a riff you can’t believe no-one thought of before and a joyously bluesy guitar solo from Paul Quinn. Closing track Denim and Leather is a genuine and charming tribute to the metal fans that put Saxon on the map, highlighting the band’s down-to-earth attitude. It’s a stomping anthem with a huge and irresistible chorus and one of the most memorable opening lines in metal history: “Where were you in ’79 when the dam began to burst?”
After the superb opening the first side is a mixed-bag. Never Surrender is vintage Saxon and follows Princess of the Night in bruising style but the quality starts to trail off. Rough and Ready is a stodgily unconvincing hard-man boast and Play it Loud is a flat stab at a party anthem. Side 2 immediately gets the album back on track with And the Bands Played On, another of the album’s outstanding victories. Despite its musical similarity to 747 (Strangers in the Night) it has its own unique identity and appeal: a feel-good ode to the inaugural Monsters of Rock festival at Castle Donington. As with the title track, Saxon’s everyman charm works wonders: rather than singing about how amazing their own performance was, they celebrate the festival itself, the attending horde and name-check other bands on the bill. It’s got simple, memorable guitar riffs and Biff Byford’s breathless delivery is a joy “Will it rain, will it snow, will it shine? We don’t know” and it’s one of those classics you never tire of hearing. Midnight Rider continues the musical lap of honour, recounting the band’s early tours of the States with the rolling tempo and gear-changing chords perfectly capturing the excitement of the road trip. The album’s most ripping number, the apocalyptic Fire in the Sky, and the triumphant title-track finish the album on a high.
Along with Wheels of Steel and Strong Arm of the Law, Denim and Leather is often thought of as the third in Saxon’s “classic trilogy”. As is often the case with trilogies, the final part is the weakest of the three but it’s still a must-hear with some of the band’s most accomplished songwriting and the guitar duo of Graham Oliver/Paul Quinn at a lively peak. The highlights are magnificent metal classics and far outweighs any filler to elevate the album to star status. It was their second highest charting album in the UK so Saxon’s position at the head of the NWOBHM pack remained secure and just two years on from their debut release they already had a discography and a following worthy of celebration. The dam was well and truly burst.
(heavymetaloverload.com/2015/01/05/saxon-denim-and-leather-review/)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Princess Of The Night (04:01)
02. Never Surrender (03:12)
03. Out Of Control (04:08)
04. Rough And Ready (04:51)
05. Play It Loud (04:10)
06. And The Bands Played On (02:48)
07. Midnight Rider (05:45)
08. Fire In The Sky (03:36)
09. Denim And Leather (05:26)

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Tuesday, November 18, 2025

David Byron - On The Rocks (1981) Ken Hensley - Proud Words On A Dusty Shelf (1973) [2LP on 1CD]

Year: 1981 / 1973 (CD 2000)
Label: CD-Maximum (Russia. bootleg), CDM 198-59
Style: Hard Rock, Rock, Pop Rock
Country: England
Time: 77:05
Format: Flac Tracks 16/44,1 kHz
Size: 506 Mb

The rise to fame and tragic demise of the late David Byron has been well documented in the years following his alcohol related death in 1985. In a nutshell, after fronting the British rock band Uriah Heep for ten albums and countless tours the charismatic front man was ousted from the group in 1976 and never really recovered from it, both personally and professionally. Without strong songwriting partners like Ken Hensley and Mick Box from Heep for Bryon to lean on his solo career unfortunately never reached the heights he had achieved with Heep.
(full version: seaoftranquility.org/reviews.php?op=showcontent&id=9441)
Ken Hensley is mostly known as the legendary former keyboard player for heavyweight British hard rockers Uriah Heep (also a member of The Gods, Toe Fat,and Blackfoot), but he's also kept up a pretty busy solo career since this debut from 1973. Recorded right around the time that Heep released their classic Uriah Heep Live album, Proud Words on a Dusty Shelf avoids much of the bombast & heaviness that was associated with his main band, and showed just how clever a songwriter and multi-instrumentalist Hensley really is. Playing all the keyboards, guitars, and handling the vocals, Hensley's almost one-man show was supported by two of his bandmates in Heep, drummer Lee Kerslake & bassist Gary Thain, as well as some additional bass courtesy of Dave Paul.
(full version: https://www.seaoftranquility.org/reviews.php?op=showcontent&id=16208)

01. Rebecca (04:01)
02. Bad Girl (04:52)
03. How Do You Sleep? (06:09)
04. Little By Little (03:54)
05. Start Believing (04:04)
06. Never Say Die (04:25)
07. King (03:40)
08. Piece Of My Love (06:48)
09. When Evening Comes (04:36)
10. From Time To Time (03:37)
11. King Without A Throne (03:54)
12. Rain (03:16)
13. Proud Words (03:16)
14. Fortune (05:18)
15. Black Hearted Lady (03:38)
16. Go Down (03:11)
17. Cold Autumn Sunday (05:30)
18. The Last Time (02:47)

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Sunday, November 16, 2025

AC/DC - For Those About To Rock (We Salute You) [remastered] (1981)

Year: 20 November 1981 (CD 2003)
Label: Epic Records (Europe), EPC 510766 2
Style: Hard Rock
Country: Sydney, New South Wales, Australia
Time: 40:10
Format: Flac Tracks 16/44,1 kHz
Size: 302 Mb

Digitally remastered from  the original master tapes by George Marino at Sterling Sound.
As immensely successful as AC/DC’s 1980 album Back in Black was (it has sold around 50 million copies worldwide), the band didn’t have a No. 1 record until their seventh North American release, For Those About to Rock We Salute You came out on Nov. 23, 1981. The band came out of the gate with a full arsenal – literally. “For Those About to Rock (We Salute You),” now a traditional show-closer, is a mid-paced stormer about the band’s appreciation for its fans, and about three-and-a-half minutes in, the music is punctuated with cannon blasts that continue until the end of the song. It’s such a good song that it makes the other songs on the album, which rock in their own right, sound somewhat anemic by comparison.
Really, AC/DC were in a no-win situation, and after they went supernova with the release of Back in Black in 1980, the group became a victim of its own popularity. There was no way they were going to match the cultural impact of that album, so they tried something different. The problem was, they didn’t know exactly what they wanted and it shows. The band began working on For Those About to Rock We Salute You in July 1981 at EMI Pathe-Marconi Studios in Paris. They hired producer Robert John “Mutt” Lange, who had worked on their previous two albums and right away they ran into problems. Unhappy with the sound they were getting, they relocated to a warehouse on the edge of the city and rented the Mobile One studio.
After they recorded the music, Johnson tracked his vocals at Family Sound Studio and then AC/DC recorded overdubs at HIS Studios. Though they were done in September 1981 they second-guessed themselves all the way and by the time they were finished they didn’t know if they had recorded another hit or committed commercial suicide. Likely due to their unhappy experiences recording the album, For Those About to Rock We Salute You marked the end of AC/DC’s working relationship with Lange. “Christ! It took us forever to make that record and it sounds like it,” the late Malcolm Young told Metal CD in 1992. “It’s full of bits and pieces and it doesn’t flow properly like an AC/DC album should… By the time we’d completed it I don’t think anyone …could tell whether it sounded right or wrong.”
(full version: loudwire.com/acdc-for-those-about-to-rock-we-salute-you-album-anniversary/)

01. For Those About to Rock (We Salute You) (05:44)
02. Put the Finger on You (03:25)
03. Let's Get It Up (03:54)
04. Inject the Venom (03:30)
05. Snowballed (03:23)
06. Evil Walks (04:23)
07. C.O.D. (03:19)
08. Breaking the Rules (04:23)
09. Night of the Long Knives (03:25)
10. Spellbound (04:39)

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Thursday, November 13, 2025

Iron Maiden - Killers [Japananese Ed.] (1981)

Year: 2 February 1981 (CD Mar 1, 1986)
Label: Tochiba-EMI (Japan), CP32-5107
Style: Heavy Metal, Hard Rock
Country: London, England
Time: 38:42
Format: Flac Tracks 16/44,1 kHz
Size: 261 Mb

Released in 1981, Killers solidified Iron Maiden's status as heavy metal pioneers. Building on the foundation laid by their self-titled debut album, the band pushed their boundaries and continued to evolve by delivering a record that combined adrenaline-fueled energy with thought-provoking lyrics and some of the greatest riffs you’re ever likely to hear.
It’s also Paul Di’Anno's final album, as vocalist, with Maiden and is somewhat bittersweet for as incredible as Bruce Dickinson is on the microphone, Di’Anno’s gravelly singing style was perfect for Maiden’s musical style. That said, I can’t imagine Maiden’s albums post-Killers had Di’Anno remained a member of the band. What has remained consistent, throughout the years, is Maiden’s album artwork and Killers is one of their very best. Eddie’s demonic grin is captivating and if the music doesn’t grab you, the artwork certainly will.
(subjectivesounds.com/musicblog/iron-maiden-killers-album-review)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. The Ides of March (01:45)
02. Wrathchild (02:54)
03. Murders in the Rue Morgue (04:17)
04. Another Life (03:23)
05. Genghis Khan (03:07)
06. Innocent Exile (03:52)
07. Killers (05:01)
08. Prodigal Son (06:11)
09. Purgatory (03:20)
10. Drifter (04:48)

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Sunday, October 5, 2025

Brian Eno & David Byrne - My Life In The Bush Of Ghosts [7 bonus tracks] (1981)

Year: February 25, 1981 (CD Apr 11, 2006)
Label: Nonesuch Records (US), 79894-2
Style: Experimental, Electronic
Country: England / Scotland
Time: 59:54
Format: Flac Tracks 16/44,1 kHz
Size: 385 Mb

My Life in the Bush of Ghosts is the first collaborative studio album by Brian Eno and David Byrne, released in February 1981. It was Byrne's first album without his band Talking Heads. The album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded before Eno and Byrne's work on Talking Heads' 1980 album Remain in Light, but problems clearing samples delayed its release by several months.
The album title is derived from Amos Tutuola's 1954 novel My Life in the Bush of Ghosts. According to Byrne's 2006 liner notes, neither he nor Eno had read the novel, but they felt the title "seemed to encapsulate what this record was about".
The extensive sampling on the album is considered innovative, though its influence on later sample-based music genres is debated. Pitchfork named it the 21st best album of the 1980s, while Slant Magazine named it the 83rd.
(en.wikipedia.org/wiki/My_Life_in_the_Bush_of_Ghosts_(album))

01. America Is Waiting (03:38)
02. Mea Culpa (04:57)
03. Regiment (04:11)
04. Help Me Somebody (04:17)
05. The Jezebel Spirit (04:56)
06. Very, Very Hungry (03:21)
07. Moonlight In Glory (04:30)
08. The Carrier (04:19)
09. A Secret Life (02:31)
10. Come With Us (02:42)
11. Mountain Of Needles (02:39)
12. Pitch To Voltage (bonus track) (02:38)
13. Two Against Three (bonus track) (01:55)
14. Vocal Outtakes (bonus track) (00:36)
15. New Feet (bonus track) (02:26)
16. Defiant (bonus track) (03:41)
17. Number 8 Mix (bonus track) (03:30)
18. Solo Guitar With Tin Foil (bonus track) (02:58)

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Saturday, September 6, 2025

Jon and Vangelis - The Friends Of Mr. Cairo (1981)

Year: July 1981 (CD 1993)
Label: PolyGram Records (Germany), 800 021-2
Style: Electronic, Art Rock
Country: Greece / United Kingdom
Time: 45:45
Format: Flac Tracks 16/44,1 kHz
Size: 232 Mb

Charts: UK #6, AUS #9, AUT #8, GER #13, NL #3, US #64, CAN #2, SWE #35. Australia: Platinum, Canada: Platinum, United Kingdom: Gold.
The Friends of Mr Cairo is the second album by Jon and Vangelis, released in 1981. There are two editions of the album, with different sleeves. Both were released in 1981 within a few weeks of each other. The title track, "The Friends of Mr Cairo", peaked at No. 1 on the Canadian singles chart in late 1981, though the track was not a hit elsewhere. The second edition of the album includes the single "I'll Find My Way Home", which according to Anderson was added in response to poor initial sales of the album, and which stayed in the Swiss charts for 14 weeks and peaked at No. 1 on 7 March 1982. It also peaked at No. 6 in the UK. The album was #2 in Canada for 3 weeks, and was #15 in the Best of 1981. "State of Independence" was later a hit single for Donna Summer, and a decade later for Moodswings with Chrissie Hynde on vocal. Anderson also later re-recorded that song on his solo album Change We Must, released in 1994.
The title track and its accompanying music video serve as an ode to classic Hollywood films of the 1930s and 1940s, including references to the classic film noir The Maltese Falcon. Joel Cairo (Mr Cairo) is the character played by Peter Lorre in The Maltese Falcon. The track incorporates sound effects and voice impressions of the stars of the era, most notably Lorre, Humphrey Bogart, Sydney Greenstreet, and Jimmy Stewart.
(en.wikipedia.org/wiki/The_Friends_of_Mr_Cairo)

01. I'll Find My Way Home (04:31)
02. State of Independence (07:57)
03. Beside (04:12)
04. The Mayflower (06:39)
05. The Friends of Mr. Cairo (12:10)
06. Back to School (05:10)
07. Outside of This (Inside of T (05:03)

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