Showing posts with label 2003. Show all posts
Showing posts with label 2003. Show all posts

Sunday, November 23, 2025

Glenn Hughes (Deep Purple) - Songs In The Key Of Rock [Japanise Ed.] (2003)

Year: 9 June 2003 (CD May 21, 2003)
Label: Canyon International (Japan), PCCY-01650
Style: Hard Rock, Garage Rock
Country: Cannock, Staffordshire, England (21 August 1951)
Time: 53:38
Format: Flac Tracks 16/44,1 kHz
Size: 392 Mb

Shug has been bigging this up around the rock press as his return to rock, the album his fans have been wanting him to make, how he's rediscovered his passion for The Rawk, and so on, ad nauseum. Which is complete and utter tosh. For as the title indicates, this is in fact Glenn's return to the glory days of Trapeze, fusing his love of rock, Stevie Wonder and funk, aligned to some sweet melodies, and above all else, the voice.
'Tis true, there are rockers, but they are actually the weaker numbers, especially the John Bonham tribute which veers sharply over the line between tribute and parody. However, faults are few and delights are many. So let's begin with the epic power funk ballad which will have grown men weeping into their beer, and women going weak at the knees. It's called "Written All Over Your Face", it lasts over eight minutes and it is a truly sublime piece of music which you absolutely have to own. No ifs, no buts, no maybes. Go get it. Now.
Right, you're back. Good. There's more top quality funk on "Get You Stoned", driven along by the powerful drumming of Red Hot Chili Pepper, Chad Smith. If there was any justice in this world, "Courageous" would be all over US radio, and a hit would be born. Horrifically catchy, I have found myself trying to hit notes that have been beyond me for 20 years. Nice.
The wistful, introspection of "The Truth" hits home hard, and is another melodic masterpiece. There's no indication of which guitarist plays which solo, so props have to go to both long standing alumni JJ Marsh, and the much travelled Jeff Kollman. Nice to see that Glenn plays bass all the way through and backing vocals are handled by former Santana bod, Alex Ligertwood.
This is by far, the best piece of solo work Glenn has produced in a long time with perhaps only 3 tracks out of 11 failing to pass muster. So, if you can get past the horrendous cover art, and yearn for the days when music got you higher, then this is essential. Oh, and yes there is a coda.
(deep-purple.net/Review-files/songs-in/key.htm)

01. In My Blood (04:39)
02. Lost In The Zone (04:26)
03. Gasoline (03:10)
04. Higher Places (05:04)
05. Get You Stoned (04:49)
06. Written All Over Your Face (08:33)
07. Standing On The Rock (03:46)
08. Courageous (04:25)
09. Change (Bonus Track) (04:35)
10. The Truth (03:28)
11. Wherever You Go (05:31)
12. Higher Places (Reprise) (01:08)

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Wednesday, November 5, 2025

Jon Lord With The Hoochie Coochie Men - Live In The Basement (2003)

Year: December 9, 2003 (CD 2007)
Label: Edel Entertaiment (Germany), 0186228ERE
Style: Blues Rock, Electric Blues
Country: Leicester, England (9 June 1941 - 16 July 2012)
Time: 39:33
Format: Flac Tracks 16/44,1 kHz
Size: 275 Mb

In 2003 Jon also returned to his beloved R&B and blues heritage to record an album of standards in Sydney, with Australia's Jimmy Barnes, entitled Live in the Basement, by Jon Lord and the Hoochie Coochie Men. Lord was also happy to support the Sam Buxton Sunflower Jam Healing Trust and in September 2006, performed at a star-studded event to support the charity led by Ian Paice's wife, Jacky (twin sister of Lord's wife Vicky). Featured artists on stage with Lord included Paul Weller, Robert Plant, Phil Manzanera, Ian Paice and Bernie Marsden.
(en.wikipedia.org/wiki/Jon_Lord#with_The_Hoochie_Coochie_Men)
First years of new Millennium Jon Lord met with his new low-profile band (of old guys, including bassist Bob Daisley) Hoochie Coochie Men. No jokes, they play blues standards, using vintage keyboards, in a traditions of British blues of late 60-s.
From band's name and cover art you can perfectly recognize, what kind of sound you will find inside. Guys play enthusiastic, but extremely simple classic blues tunes, with harmonica, some characteristic Lord's Hammond passages ( too much of cliche) and .... it's all.
Musically there are myriads of blues musicians, playing that music better. Even in rare moments, when band goes to heavier blues rock, the music sounds as played by good suburb pub band. Guest vocalist is terrible though.
(progarchives.com/album.asp?id=29232) Review by snobb. June 2, 2010

01. I Just Want to Make Love to You (04:05)
02. Six Strings Down (03:44)
03. 24-7 Blues (04:36)
04. Dallas (03:45)
05. The Walk (03:21)
06. Strange Brew (03:36)
07. She Whines (04:34)
08. Playin the Blues (03:38)
09. You Need Love (04:14)
10. New Old Lady Blues (03:57)

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Tuesday, November 4, 2025

Procol Harum - The Well's On Fire (2003)

Year: 4 March 2003 (CD 2003)
Label: Eagle Records (US), ER 20006-2
Style: Progressive Rock, Classic Rock
Country: Southend-on-Sea, Essex, England
Time: 59:08
Format: Flac Tracks 16/44,1 kHz
Size: 399 Mb

The Well's On Fire is a very laid-back record. The band isn't obviously trying to break any new ground here, but the music is good, and gets better with each listen. At this point Procol Harum has long since established its own sound and style, and is definitely sticking to its guns. Gary Brooker sounds as good as ever. It's his voice that really makes this album shine, but that's the case with any Brooker/Procol release for this writer.
Besides Gary's pipes, Matthew Fisher's organ is another great feature. He definitely has a sound that is irreplaceable, and very original. Just try to imagine the basic sound of Whiter Shade Of Pale and you'll know what I mean. Fisher, however, plays very gently, and doesn't abuse his presence on the album. In other words, he appears where he's needed.
Procol Harum's music these days can be considered an adult contemporary, as it has a very peaceful flow. I tend to call it night music. You know, when the lights are dim, you're drinking wine, and listen to something gentle, yet very rhythm-oriented. That's where this album fits in. I wonder how this material will work live. It certainly has a potential to develop into interesting set. On the other hand, Procol Harum has so many great songs to choose from that it will be difficult to knock down the classics in favor of the new songs.
The question is, was this the album everyone was waiting for the last ten years? It's hard to answer that, and you can look at it from both angles. On the positive side, it is a very good music played by a band with definite feel, and great amount of professionalism. And on the negative angle, it doesn't really bring anything new to the band's already established norms. I prefer to stick with the first view, as I thoroughly enjoy this album.
(procolharum.com/phalbum12-vault-rev.htm)

01. An Old English Dream (04:41)
02. Shadow Boxed (03:34)
03. A Robe Of Silk (02:43)
04. The Blink Of An Eye (04:42)
05. The Vip Room (04:55)
06. The Question (05:01)
07. This World Is Rich (05:20)
08. Fellow Travellors (04:47)
09. Wall Street Blues (04:26)
10. The Emperor's New Clothes (04:17)
11. So Far Behind (03:51)
12. Every Dog Will Have His Day (05:20)
13. Weisselklenzenacht (05:24)

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Friday, September 19, 2025

The Hollies - Greatest Hits [2CD] (2003)

Year: 24 March 2003 (CD Mar 24, 2003)
Label: EMI Records (UK), 7243 582012 2 2
Style: Rock, Pop Rock
Country: Manchester, Lancashire, England
Time: 78:31, 77:06
Format: Flac Tracks 16/44,1 kHz
Size: 507, 511 Mb

The Hollies are an English rock and pop band formed in Manchester in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style.
The Hollies are one of the few UK groups of the early 1960s, along with the Rolling Stones, who have never disbanded and continue to record and perform. In recognition of their achievements, the Hollies were inducted into the Rock and Roll Hall of Fame in 2010.
(wikipedia.org/wiki/The_Hollies)



01. I'm Alive (02:27)
02. Sorry Suzanne (03:01)
03. Here I Go Again (02:21)
04. On A Carousel (03:13)
05. King Midas In Reverse (03:09)
06. Look Through Any Window (02:16)
07. Blowin' In The Wind (Nash Version) (04:11)
08. The Air That I Breathe (04:12)
09. Pay You Back With Interest (02:42)
10. I've Got A Way Of My Own (02:14)
11. Stay (02:13)
12. The Very Last Day (02:58)
13. We're Through (02:15)
14. Carrie Anne (02:56)
15. Magic Woman Touch (03:19)
16. I'm Down (04:11)
17. Gasoline Alley Bred (03:55)
18. I Can't Let Go (02:27)
19. Sandy (4Th Of July, Asbury Park) (04:10)
20. Long Cool Woman In A Black Dress (03:18)
21. Stop Stop Stop (02:51)
22. If I Needed Someone (02:21)
23. Dear Eloise (03:05)
24. Long Dark Road (04:16)
25. I Can't Tell The Bottom From The Top (04:17)

01. He Ain't Heavy, He's My Brother (04:21)
02. Bus Stop (02:55)
03. Jennifer Eccles (03:01)
04. The Day That Curly Billy Shot Down Crazy Sam Mcgee (04:27)
05. Too Young To Be Married (04:01)
06. Listen To Me (02:39)
07. Just One Look (02:30)
08. Searchin' (02:24)
09. (Ain't That) Just Like Me (02:09)
10. Yes I Will (02:56)
11. What's Wrong With The Way I Live (02:00)
12. Lonely Hobo Lullaby (04:14)
13. Daddy Don't Mind (03:37)
14. The Baby (03:56)
15. Hey Willy (03:33)
16. Son Of A Rotten Gambler (04:07)
17. Write On (04:51)
18. Star (03:39)
19. Boulder To Birmingham (03:58)
20. Soldier's Song (04:01)
21. The Woman I Love (03:37)
22. How Do I Survive (04:00)

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