Showing posts with label Gospel. Show all posts
Showing posts with label Gospel. Show all posts

Thursday, November 27, 2025

Edgar Winter - Edgar Winter's White Trash (1971)

Year: 1971 (CD 1989)
Label: Epic Records (US), EK 30512
Style: Blues Rock, Rock and Roll, Funk, Gospel
Country: Beaumont, Texas, U.S. (December 28, 1946)
Time: 43:30
Format: Flac Tracks 16/44,1 kHz
Size: 286 Mb

A quite brilliant album and no mistake and maybe the man’s most beloved of all his album releases that combines a heady mixture of rock, R&B, gospel and funk. When this album first appeared in 1971 it blew a breath of fresh air through the album releases of the time. Highlights include a smattering of gospel with Fly Away (featuring a full vocal chorus that adds the uplifting spirit of the track) and Save the Planet (a real rabble rousing song that demands that you jump off your chair and clap your hands in time to the words) on one side of the coin along with chart material such as the lower end of the Top 40 cut, Keep Playin’ That Rock and Roll while not forgetting the lovely Dying to Live that includes some fine piano work and pokes an effective dig at Vietnam, the cause celebre of the time.
In terms of audiophile reproduction, this track is a good example of the nature of the pressing which is effectively quiet without any blurring in the upper mids or smudging of the bass. There is a tremendous dynamic range in evidence here. Winter’s piano is accurate and tonally solid while Winter’s own vocal delivery is passionate, fervent but lusty in terms of the complexity that can be heard through those rasping vocal chords of his.
If there is one overarching personality of this album that links each track together, it is its joyous nature and sense of never-ending rhythm, a forward motion that also creates a perfect sense of escapism. I will bet that, before long, once you’ve learned a few lines of your own, you won’t be able to resist in singing along to much of this disc yourself.
(theaudiophileman.com/edgar-winters/)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Give It Everything You Got (04:32)
02. Fly Away (03:02)
03. Where Would I Be (03:59)
04. Let's Get It On (05:05)
05. I've Got News for You (03:56)
06. Save the Planet (05:41)
07. Dying to Live (04:04)
08. Keep Playin' That Rock 'n' Roll (03:46)
09. You Were My Light (05:02)
10. Good Morning Music (04:20)

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Sunday, November 16, 2025

Delaney & Bonnie & Friends - Motel Shot [Japan Ed.] (1971)

Year: March 1971 (CD Jun 25, 1998)
Label: Atco Records (Japan), AMCY-2765
Style: Blues, Gospel, Funk
Country: U.S.
Time: 45:52
Format: Flac Tracks 16/44,1 kHz
Size: 278 Mb

The magic of the late-night jam session is one of those rock & roll legends that, much like Bigfoot, doesn't have a lot of concrete evidence to support it. But Delaney & Bonnie believed in it strongly enough to try to put one on tape. Released in 1971, Motel Shot was intended to document the sound and vibe of the after-show jams that Mr. and Mrs. Bramlett often took part in while on the road. After an attempt to record one such jam in the living room of recording engineer Bruce Botnick, Delaney & Bonnie and their friends ended up doing it over again in a recording studio. But if Motel Shot doesn't seem as spontaneous as the principals wanted it to be, it does have a loose, playful feel that's honestly winning. The performances are almost entirely acoustic, and the set is dominated by traditional blues, gospel, and country standards that this crew could ease into comfortably and bend to their moods. Given that Delaney & Bonnie's friends for these sessions included Duane Allman, Leon Russell, John Hartford, Dave Mason, Gram Parsons, and Joe Cocker, it's no great surprise that this material is significantly more accomplished that most folks' musical goofing around, even if Jim Keltner is just slapping an empty box instead of playing a drum kit. And Delaney & Bonnie are both in fine voice on Motel Shot, passionate but very much in the moment, while the gospel jam of "Takin' About Jesus" features some powerful vocal interplay between Bonnie and Cocker. You can't plan a moment of spontaneous brilliance, but Delaney & Bonnie were just smart enough to know their muse didn't like to be forced, and Motel Shot is an admirable compromise between a 2 a.m. guitar pull and an acoustic studio session, and it was also their last truly effective album.
(allmusic.com/album/motel-shot-mw0000738488)

01. Where the Soul Never Dies (03:24)
02. Will the Circle be Unbroken (02:42)
03. Rock of Ages (02:17)
04. Long Road Ahead (03:25)
05. Faded Love (04:03)
06. Talkin' About Jesus (06:51)
07. Come on in My Kitchen (02:41)
08. Don't Decieve Me (Please Don't Go) (03:54)
09. Never Ending Song Of Love (03:20)
10. Sing My Way Home (04:02)
11. Going Down the Road Feeling Bad (05:12)
12. Lonesome and a Long Way From Home (03:55)

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