Label: Sony BMG Music Entertainment (Europe), 82876872922
Style: Jazz Rock, Progressive Rock, Canterbury Scene
Country: Canterbury, England
Time: 43:15
Format: Flac Tracks 16/44,1 kHz
Size: 263 Mb
This
was the first Soft Machine album I bought and nearly the last. Not that
it isn’t soothing in a sleepy sort of way, but it wasn’t at all the
madcap sonic adventure I was expecting. With time, of course, I
understood that the original quest changed after the departures of Kevin
Ayers and Robert Wyatt, with Mike Ratledge leading the band into
jazzier terrain much as Gong did under the stewardship of Pierre
Moerlen. From the perspective of Six, little had changed—or needed to,
really. The mesmerizing keyboard patterns, mutated saxophone/oboe solos,
superlative drumming and steady bass shift every few minutes like an
audio kaleidoscope, which is pleasant enough. It’s generally a calmer
and more peaceful record than most jazz fusion albums from the period,
and there’s little difference between the songs written by Ratledge and
Karl Jenkins, giving Seven a consistent feel from beginning to end. Is
it the first Soft Machine album you need to own? In my experience,
obviously not (they did number these for a reason). If you’re going to
buy seven Soft Machine albums, however, here you are. Highlights (to my
ears) include Tarabos, Down the Road and the combination of Snodland and
Penny Hitch (the songs tend to merge into one another). Carol Ann is
also very pretty. That said, the album doesn’t really have standout
sections; it’s conceived as an organic whole that flows from the shared
musical sensibilities of its four members. It’s not their best album,
but it might be their softest so far.
(progrography.com/soft-machine/review-soft-machine-seven-1973/)
01. Nettle Bed (04:51)
02. Carol Ann (03:45)
03. Day's Eye (05:03)
04. Bone Fire (00:35)
05. Tarabos (04:27)
06. D.I.S. (03:04)
07. Snodland (01:51)
08. Penny Hitch (06:38)
09. Block (04:18)
10. Down The Road (05:44)
11. The German Lesson (01:51)
12. The French Lesson (01:03)

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