Saturday, April 5, 2025

Ten Years After - Ssssh (1969)

Year: September 1969 (CD 1988)
Label: Chrysalis Records (Europe), 259 010
Style: Blues Rock, Classic Rock
Country: Nottingham, England
Time: 33:34
Format: Flac Tracks 16/44,1 kHz
Size: 206 Mb

Charts: UK #4, CAN #17, FIN #14, GER #6, NOR #16, US #20. CAN: Gold.
And at last, this time around there was no doubt these guys were gonna be a major act. Good lads, they seem to have realized all of the mistakes they made on Stonedhenge, and this time you're in for a listen of your lifetime! No more stupid grooves or Leo Lyons solo spots. No more trippy quiet guitar sounds and no more muddy, ear-destructive production. What you are presented with is a gruff, rip-roaring, tearing-at-the-walls progressive blues album which boasts brilliant production - AT LAST!
I may be a little biased towards this album, but really, you must realise it was a grandiose effort for the boys. Ten Years After was a homemade album of four guys getting together to play a couple of covers; Undead was a live album made by the same boys; Stonedhenge was a first try, but a failure; and this, this is absolutely fantastic. Well, not absolutely. Ten Years After never made an album that was 'absolutely' fantastic. Forget about 'absolutely'. But this is definitely fantastic in the fantastic Ten Years After way.
Where was I? Ah yes, Ssssh. The only real trouble with that album is an ungly cover and the fact that you never can remember how many 's' you have to write between the capital one and the 'h'. Apart from that, there are some great blues numbers, some great ballads and some great heavy rockers the likes of which were not to be found previously. The very album opener ('Bad Scene') is not just heavy - it's practically hardcore punk: a breathtaking speed and a gruff guitar tone that predicts the Ramones but also kinda outdates them. But there are also tricky changes in signature, a special jazzy middle-eight, Alvin's trademark solos, strange electronically encoded vocals and... well, you get my drift. There's everything that Stonedhenge sorely lacked.
(full version: starlingdb.org/music/tenyears.htm#Ssssh)


Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Bad Scene (03:30)
02. Two Time Mama (02:03)
03. Stoned Woman (03:30)
04. Good Morning Little Schoolgirl (07:01)
05. If You Should Love Me (05:23)
06. I Don't Know That You Don't Know My Name (02:02)
07. The Stomp (04:34)
08. I woke Up This Morning (05:27)

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