Showing posts with label Folk. Show all posts
Showing posts with label Folk. Show all posts

Saturday, October 25, 2025

Benny Andersson (ABBA) - November 1989 (1989)

Year: 1989 (CD 1989)
Label: Mono Music (Sweden), MMCD 003
Style: Folk, Classical, Instrumental
Country: Stockholm, Sweden (16 December 1946)
Time: 34:54
Format: Flac Tracks 16/44,1 kHz
Size: 179 Mb

November 1989 is an album by Benny Andersson that released in 1989. This album of Swedish folk music was a hit in Scandinavia. The first track, "Skallgeng", was used to open the 2022 virtual concert residency ABBA Voyage. Word meaning search party (lit. echo walk).
(en.wikipedia.org/wiki/November_1989_(album))
Benny's second solo album "November 1989" was finished. The track "Stockholm By Night" is from the film "Den hemliga vannen" (The secret friend). "Malarskolan" is music from a TV series. He received a Grammy award in Sweden for this record.
(abba-intermezzo.de/estory.htm)


01. Skallgеng (03:44)
02. Machopolska (03:19)
03. Vals Efter Efraim Andersson (03:40)
04. Sekelskiftesidyll (03:25)
05. Dans Pе Vindbryggan (02:29)
06. Stjuls (02:57)
07. Trostevisa (03:46)
08. Mеlarskolan (02:33)
09. Novell #1 (02:02)
10. The conducator (03:57)
11. Stockholm By Night (02:57)

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Tuesday, October 7, 2025

Peter, Paul And Mary - In The Wind [Hybrid SACD. Stereo. Audio Fidelity] (1963)

Year: October 1963 (CD 2014)
Label: Audio Fidelity (US), AFZ 181
Style: Folk, Pop, Oldies
Country: New York City, U.S.
Time: 37:58
Format: Flac Tracks 16/44,1 kHz
Size: 226 Mb

In the 1960s, the most creatively fertile grounds in America would have to be Greenwich Village, a neighborhood in west Manhattan. It could be be argued that the counterculture of the 60s arose from Greenwich Village, as did many of the decades biggest musical acts, one of the most talented being Bob Dylan.
1963, however, was a very different year than 1965, and a guy like Dylan pretty much had no chance of making a pop crossover. Instead, his songs found their way to the mainstream with Peter, Paul and Mary, a group of Greenwich Village folkies who were formed by manager Albert Grossman in 1961. This group cut their teeth doing clean-cut folk music with sparse acoustic production and pristine harmonies, and often, their music could be quite beautiful. This can be seen on some of the traditional folk covers that appear on this album, like the lullaby "Hush-A-Bye", or the religious ballad "All My Trials". Admittedly, not all of the songs on here work for me, like "Long Chain On" or "Rocky Road", both of which I found to be largely forgettable. For the most part, I would say that this album averages out to a nice, pleasant experience that I probably won't return to. It can certainly be very pretty, and harmonies of all three are very pleasing to the ear, but it' just not as engaging as some of the other folk music that was coming of Greenwich Village. Speaking of which, the main story on this album, as least for me, would have to be the Dylan covers. The weakest of the three would be their take on "Don't Think Twice, It's All Right", mainly because the scornful, passive-aggressive lyrics work best when they're coming from just one person (preferably Dylan himself), as opposed to three. On the other hand, their cover of "Blowin' in the Wind" is genuinely beautiful cover, one that absolutely does the original justice. Peter, Paul and Mary famously performed that song at the same March on Washington where Martin Luther King Jr. gave his "I Have A Dream" speech, and I think that it was a powerful moment, a highlight of their careers.
Ultimately, though, it couldn't last. Peter, Paul and Mary were old school folkies, musically much closer to the Kingston Trio than the Byrds. When Bob Dylan went electric at the Newport Folk Festival, Peter Yarrow was in the audience, holding his head in dismay. The group had one last hit in 1969, the John Denver-penned "Leaving on a Jet Plane", and then that was it. Their brand of pristine folk music had it's moment, but it passed. Still, they'll always have that cover of "Blowin' in the Wind".
(rateyourmusic.com/release/album/peter-paul-and-mary/in-the-wind/)

01. Very Last Day (02:32)
02. Hush-A-Bye (02:21)
03. Long Chain On (04:37)
04. Rocky Road (03:40)
05. Tell It On The Mountain (02:58)
06. Polly Von (04:11)
07. Stewball (03:13)
08. All My Trials (03:18)
09. Don't Think Twice, It's Alright (03:15)
10. Freight Train (02:46)
11. Quit Your Low Down Ways (02:05)
12. Blowin' In The Wind (02:57)

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Wednesday, September 10, 2025

Peter, Paul And Mary - Peter, Paul And Mary [Hybrid SACD. Stereo. Audio Fidelity] (1962)

Year: May 1962 (CD 2014)
Label: Audio Fidelity (US), AFZ 161
Style: Folk, Pop, Oldies
Country: New York City, U.S.
Time: 34:18
Format: Flac Tracks 16/44,1 kHz
Size: 194 Mb

Peter, Paul and Mary was an American folk group formed in New York City in 1961 during the American folk music revival. The trio consisted of Peter Yarrow (guitar, tenor vocals), Paul Stookey (guitar, baritone vocals), and Mary Travers (contralto vocals).
They were very successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. Following Travers's death in 2009, Yarrow and Stookey continued to perform as a duo. Yarrow died in 2025, leaving Stookey the sole surviving member of the group.
The self-titled debut studio album by American folk trio Peter, Paul and Mary was released in May 1962 on Warner Bros. Records. Released in both mono and stereo on catalog no. 1449, it is one of the rare folk albums to reach No. 1 on the Billboard chart in the US, where it remained for over a month. The lead-off singles "If I Had a Hammer" and "Lemon Tree" reached numbers 10 and 35 respectively on the Billboard Pop Singles chart. It was the group's biggest selling studio album, eventually certified Double Platinum by the Recording Industry Association of America for U.S. sales of more than two million copies.
At the Grammy Awards of 1963, their recording of "If I Had a Hammer" won the Best Folk Recording and Best Performance by a Vocal Group Grammies.
(en.wikipedia.org/wiki/Peter,_Paul_and_Mary_(album))

01. Early In The Morning (01:37)
02. 500 Miles (02:48)
03. Sorrow (02:55)
04. This Train (02:07)
05. Bamboo (02:34)
06. It's Raining (04:27)
07. If I Had My Way (02:24)
08. Cruel War (03:29)
09. Lemon Tree (02:57)
10. If I Had A Hammer (02:10)
11. Autumn To May (02:49)
12. Where Have All The Flowers Gone? (03:57)

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Saturday, August 16, 2025

Robert Plant (ex Led Zeppelin) - Carry Fire (2017)

Year: 13 October 2017 (CD Oct 13, 2017)
Label: Nonesuch Records (Europe), 7559-79349-3
Style: Rock, Folk, Blues Rock
Country: West Bromwich, Staffordshire, England (20 August 1948)
Time: 49:05
Format: Flac Tracks 16/44,1 kHz
Size: 320 Mb

Charts: UK #3, AUS #16, CAN #12, GER #10, NLD #29, NOR #9, NZ #7, SWE #12, SWI #7, US #14. UK: Silver
In recent years Robert Plant has been defined by a stylistic restlessness, but his 11th solo album doesn’t deviate wildly in tone from 2014’s Lullaby and ... the Ceaseless Roar. He’s backed once again by the Sensational Space Shifters, who artfully flesh out the rock and folk elements with splashes of bendir, oud and djembe. Lyrically Carry Fire sees Plant address bigger issues, whether the evils of colonialism on New World (for its diametrically opposed perspective, it’s a yin to Immigrant Song’s yang) or nationalism on Carving Up the World Again. Other highlights include the heavy blues and Chrissie Hynde duet on Ersel Hickey’s Bluebirds Over the Mountain, and the knowingly titled The May Queen.
(theguardian.com/music/2017/oct/15/robert-plant-carry-fire-review)
If you’re a Robert Plant fan, you’re probably going to buy this album anyway. Plant, the lead singer and lyricist for the band Led Zeppelin, is a mainstay in the music industry and has built up enough industry cred that he can do whatever the hell he wants. And, at least for his newest solo album, Carry Fire, whatever the hell he wants seems to be a folkish, Americana sound.
This isn’t new ground for him: Plant has previously worked with bluegrass/Americana artist Alison Krauss, and his previous solo albums also had this same sound. This only goes to show how Plant’s made this folky Americana sound his own. Carry Fire is a very chill, very lovely album whose main flaw is that it has a hard time rising from good to great.
(full version: theyoungfolks.com/music/111795/album-review-robert-plant-carry-fire/)
While the three albums he's released since that collaboration with Alison Krauss - 2010's Band of Joy, 2014's Lullaby ... and the Ceaseless Roar and the new Carry Fire - haven't topped it, the onetime Led Zeppelin singer has refused to settle into expectations, unlike so many of his contemporaries who cling to their classic-rock pasts like the past 40 years never happened.
Plant, too, is somewhat stuck in a place he's visited before, but at least the familiar-sounding Carry Fire journeys across the globe in search of those sounds. Once again, he surveys everything from American Appalachian music to Eastern rhythms and textures to populate his songs.
He also makes room for more traditional rock 'n' roll too, pushing against chugging electric guitars and rolling drums on "New World .. " and cooing declarations of love on the acoustic "Season's Song," which wouldn't be out of place on Zeppelin's unplugged third album.
(full version: ultimateclassicrock.com/robert-plant-carry-fire-album-review/)

01. The May Queen (04:14)
02. New World (03:29)
03. Season's Song (04:19)
04. Dance With You Tonight (04:48)
05. Carving Up the World Again... A Wall and Not a Fence (03:55)
06. A Way With Words (05:18)
07. Carry Fire (05:25)
08. Bones of Saints (03:46)
09. Keep It Hid (04:07)
10. Bluebirds Over the Mountain (04:58)
11. Heaven Sent (04:42)

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