Pink Floyd - Animals [Japanese Ed. 1st press] (1977)

Year: 21 January 1977 (CD Jul 21, 1985)
Label: CBS/Sony (Japan), 32DP-360
Style: Progressive Rock, Psychedelic Rock
Country: London, England
Time: 41:48
Format: Flac Tracks 16/44,1 kHz
Size: 267 Mb

I admit without qualm that it began for me with Animals. My brother was in college, and one day I went through his records and listened to the ones with the coolest covers. Animals fascinated me then as it still fascinates me today. It is the acute anthropomorphic fantasy, possessing a timeless quality that has thrust it into the category of "classic," though it may remain forever in the shadow of its more commercially successful older brother, Dark Side Of The Moon. Consisting of three tracks each longer than ten minutes and two tracks under two minutes, Animals is not for the attention- span- deficient. However, within this impenetrable fortress of radio- unfriendly tracks, we hear Dave Gilmour's guitars at their absolute best, get a full-on dose of Roger Waters' powerful lyrical imagery, and are presented with the worst elements of our own humanity- packaged in the skins of "Sheep," "Dogs" and "Pigs (Three Different Ones)". For those weaned on The Wall and Dark Side, you'll find Animals to be a whole new bag of feed. Where Floyd's two most recognizable albums made their mark with operatic aggression and fear, Animals deals in dirt- under- the- fingernails reality, the common smallness that simultaneously binds and repels us all. "Dogs," a 17-minute study in the commonest of all faults, lazily dispenses bite after venomous bite into the desires that drive us to seize the fast buck and screw anyone that gets in our way: "You have to be trusted by the people that you lie to, So that when they turn their backs on you, You'll get the chance to put the knife in."
All this wrapped up in the flaky coating of two hauntingly similar and musically identical tracks casting opposite views of cynicism and hope on the proceedings. Animals is like George Orwell's Animal Farm run through a full- audio acid test- spectacular in every aspect and now in full color.
I admit without qualm that it began for me with Animals.
(pitchfork.com/reviews/albums/6307-animals/)

01. Pigs On The Wing(Part One) (01:24)
02. Dogs (17:06)
03. Pigs(Three Different Ones) (11:30)
04. Sheep (10:18)
05. Pigs On The Wing(Part Two) (01:27)

UploadyIo     DailyUploads

All my files:     UploadyIo     DailyUploads     KatFile

Pink Floyd - Wish You Were Here [Japanese Ed. 3rd press] (1975)

Year: 12 September 1975 (CD Jul 21, 1985)
Label: CBS Records / Sony Records (Japan), 32DP 359
Style: Progressive Rock, Psychedelic Rock
Country: London, England
Time: 44:18
Format: Flac Tracks 16/44,1 kHz
Size: 256 Mb

As the follow-up to the Floyd’s iconic, record-breaking 1973 concept album The Dark Side Of The Moon, this album is often unfairly overlooked. With the benefit of hindsight, Wish You Were Here has the same faultless pacing and sequencing of its predecessor, but a more coherent musical narrative, structure and tone, as well as greater lyrical sophistication. Here, the ‘concept’ is more down-to-earth, since much of the record is an extended tribute to the late Syd Barrett ­ the genius behind their early works, who flew too high and burned too bright, becoming one of rock’s most infamous drug casualties before Pink Floyd emerged from London?s psychedelic underground scene to become one of the biggest success stories of the 1970s. It’s also the last great album by a band that would produce something as adolescently puerile as The Wall by the end of that decade.
Barrett is the subject of the epic “Shine On You Crazy Diamond, parts One and Two” of which take up more than half the playing time and bookend just three other shorter tracks. Despite some questionable keyboard tones from Richard Wright, the majestically unhurried instrumental intro is a triumph of suspense. It?s nearly nine minutes before Roger Waters starts singing and the effect is startling, as are the words: ‘Remember when you were young?/ You shone like the sun / Shine On You Crazy Diamond!/ Now there’s a look in your eye / Like black holes in the sky’. It’s debatable whether the ‘iPod generation’ will get all of the eerie, almost visual sound detail in the more melodramatic “Welcome To The Machine”, which presages some of the pomp of their later work. Guest vocalist Roy Harper is a gritty presence on the music industry-bating “Have A Cigar” and the breathless title track finds Waters’ lyrics at their most soul searching. Some may baulk at Dave Gilmour’s long, bluesy guitar workouts, which form the backbone of “Shine On You Crazy Diamond” and crop up throughout the album. Hey, these were the dying days of prog. rock. Punk was just around the corner and it’s easy to see why, but mid-seventies post-psychedelic angst seldom sounded so chilled.
(bbc.co.uk/music/reviews/b8dp/) Review by Jon Lusk. 2007

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Shine On You Crazy Diamond - Part I, II, III, IV, V (13:31)
02. Welcome To The Machine (07:33)
03. Have A Cigar (05:24)
04. Wish You Were Here (05:22)
05. Shine On You Crazy Diamond - Part VI, VII, VIII, IX (12:25)

UploadyIo     DailyUploads

All my files:     UploadyIo     DailyUploads     KatFile

The Joe Perry Project (Aerosmith) - Let The Music Do The Talking (1980)

Year: March 1980 (CD 1980 ????)
Label: CBS Records (US), CK 36388
Style: Hard Rock
Country: Lawrence, Massachusetts, U.S. (September 10, 1950)
Time: 38:04
Format: Flac Tracks 16/44,1 kHz
Size: 263 Mb

Let the Music Do the Talking is the first of three studio albums by The Joe Perry Project, released in 1980. It was the band's most successful, selling approximately 250,000 copies in the United States. The title track was later re-recorded in by Aerosmith on their 1985 reunion album Done With Mirrors, albeit with a slightly different melody and Steven Tyler-penned lyrics.
Fed up with the slow pace of the recording of Night in the Ruts and frustrated with the band's precarious financial situation, Perry left Aerosmith in the spring of 1979. He recruited Aerosmith's former producer Jack Douglas and chose Ralph Morman for lead singer, who Perry had previously heard performing in a band called Daddy Warbux. The group was rounded out by bassist David Hull and drummer Ronnie Stewart. "The contrast between the tortuous ordeal of recording Aerosmith and the seamless groove that characterized the Project was remarkable," Perry later recalled.
Considering Aerosmith's struggles, Columbia Records was initially hesitant to give Perry a solo deal, but he assured them he could turn in an album in "five or six weeks." In his 2014 autobiography Rocks, the guitarist states that the songs were largely autobiographical:
"Let the Music Do the Talking" – the title track – spoke for itself. It was just how I was feeling. I didn’t need to talk. Didn’t need to explain how much I wanted to be on my own timetable, free to work at my own speed, which was pretty fast. "Conflict of Interest" was inspired by my feelings about the shady side of the record business. I was going straight back to my roots, as demonstrated by the R&B-heavy "Rockin’ Train." Songs like "Life at a Glance" and "Ready on the Firing Line" were constructed around riffs that had been bouncing around my brain for months.
(en.wikipedia.org/wiki/Let_the_Music_Do_the_Talking)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Let The Music Do The Talking (04:42)
02. Conflict Of Interest (04:43)
03. Discount Dogs (03:42)
04. Shooting Star (03:39)
05. Break Song (02:06)
06. Rockin' Train (06:02)
07. The Mist Is Rising (06:30)
08. Ready On The Firing Line (03:54)
09. Life At A Glance (02:41)

UploadyIo     DailyUploads

All my files:     UploadyIo     DailyUploads     KatFile

Slade - Keep Your Hands Off My Power Supply [US version of The Amazing Kamikaze Syndrome] (1984)

Year: 2 April 1984 (CD 1984)
Label: CBS Records (US), CSR Japan Press, ZK 39336
Style: Glam Rock, Hard Rock, Classic Rock
Country: Wolverhampton, Staffordshire, England
Time: 39:21
Format: Flac Tracks 16/44,1 kHz
Size: 260 Mb

Keep Your Hands Off My Power Supply is a studio album by the British rock group Slade, released in America and Canada on 2 April 1984. It is a repackaged version of The Amazing Kamikaze Syndrome which was released in the UK, Europe and across the rest of the world in December 1983. Keep Your Hands Off My Power Supply reached No. 33 in the US and No. 26 in Canada, giving the band their breakthrough in the US. The album proved to be the most successful North American release of Slade's career. Both "Run Runaway" and "My Oh My" enjoyed Top 40 success as singles there. In August 1984, the album was certified Gold in Canada for 50,000 sales.
The 1983 success of Quiet Riot's version of Slade's 1973 UK chart topper "Cum On Feel the Noize" led to Slade signing with CBS for their first American record deal since the 1970s. The label soon repackaged the band's recently released album, The Amazing Kamikaze Syndrome, into Keep Your Hands Off My Power Supply. The Amazing Kamikaze Syndrome, along with its singles "My Oh My" and "Run Runaway", had already achieved success in the UK and Europe. Keep Your Hands Off My Power Supply featured a different track-order. It also replaced "Cocky Rock Boys (Rule O.K.)" and "Razzle Dazzle Man" with the 1983 "My Oh My" B-Sides "Keep Your Hands Off My Power Supply" and "Can't Tame a Hurricane".
(en.wikipedia.org/wiki/Keep_Your_Hands_Off_My_Power_Supply)

01. Run Runaway (05:01)
02. My Oh My (04:12)
03. High And Dry (03:13)
04. Slam The Hammer Down (03:24)
05. In The Doghouse (02:47)
06. Keep Your Hands Off My Power Supply (03:33)
07. Cheap 'N' Nasty Luv (02:42)
08. Can't Tame A Hurricane (02:32)
09. (And Now - The Waltz) C'est La Vie (03:42)
10. Ready To Explode I The Warm Up  II The Grid  III The Race  IV The Dream (08:11)

UploadyIo     DailyUploads

All my files:     UploadyIo     DailyUploads     KatFile

Aerosmith - Rocks [Japanese Ed.] (1976)

Year: May 3, 1976 (CD June 22, 1988)
Label: CBS/Sony Group Inc. (Japan), 25DP 5091
Style: Hard Rock
Country: Boston, Massachusetts, U.S.
Time: 34:26
Format: Flac Tracks 16/44,1 kHz
Size: 238 Mb

Charts: US #3, AUS #45, CAN #14, SWE #46. CAN: Platinum; US: 4x Platinum.
Their ambition to be one of the greatest rock bands drove them to gradually perfect their riffs, vocals, and rhythms. ‘Rocks’ attains this optimally, to the extent that it has influenced giants of the genre like Slash, who confessed that this album is what inspired him to play the guitar.
There’s a complete coherence between Steven Tyler’s impressive vocals and the enjoyable guitars of Brad Whitford and Joe Perry. In essence, it’s a very fun album, an iconic hallmark of the band with past riffs like “Walk This Way.” Such arrangements can be heard in songs like “Last Child” or “Get The Lead Out,” where guitars and vocals combine to create different rhythmic patterns a style that few bands were embracing at that time, becoming Aerosmith’s signature.
The album can be heavy, as in songs like “Rats In The Cellar,” dark as in “Nobody’s Fault,” and sentimental as in “Home Tonight.” The combination of textures is excellent throughout the album; at no point does it become tedious or dull. On the contrary, it keeps the listener expectant for what’s next. The order of the songs is perfect, providing a journey through various passages intentionally created differently.
We hear Steven Tyler (Vocalist) at one of his peak moments, with his characteristic falsettos pushed to the maximum in songs like “Back In The Saddle.” His voice can be as melodic as it is piercing, positioning him as one of the most authentic vocalists in the scene. Much of Aerosmith’s success lies in their vocal work, and even to this day, there’s no vocalist with a similar style.
(therockreview.net/aerosmith-rocks-eng/)

Album recorded and mixed in the analog domain - AAD. That is, a minimum of digital processing.
A=Analog. D=digital. The first letter stands for how the music was recorded. The second letter for how it was mixed. The third letter stands for the format (all CD's will have D as the last letter).

01. Back In The Saddle (04:39)
02. Last Child (03:25)
03. Rats In The Cellar (04:05)
04. Combination (03:38)
05. Sick As A Dog (04:14)
06. Nobody's Fault (04:22)
07. Get The Lead Out (03:41)
08. Lick And A Promise (03:04)
09. Home Tonight (03:15)

UploadyIo

All my files:   UploadyIo     KatFile