Label: Swan Song Inc. (US), SS 200-2
Style: Hard Rock, Classic Rock
Country: London, England
Time: 39:14, 43:45
Format: Flac Tracks 16/44,1 kHz
Size: 252, 262 Mb
Charts:
UK #1, AUS #2, AUT #2, CAN #1, GER #4, JPN #13, NLD #7, NOR #4, SWE #7,
US #1. GER: Gold; UK: 2x Platinum; AUS: 3x Platinum; US: Diamond.
The
first attempt by Led Zeppelin to record songs for Physical Graffiti
took place in November 1973 at Headley Grange in Hampshire, England,
where they had previously recorded their untitled fourth album. The
recording equipment consisted of Ronnie Lane's Mobile Studio. Guitarist
and producer Jimmy Page and drummer John Bonham recorded an instrumental
which was later reworked as "Kashmir" during this visit. However, these
sessions came to a halt quickly and the studio time was turned over to
Bad Company, who used it to record songs for their debut album. The
press reported that bassist/keyboardist John Paul Jones was ill and
unable to record. However, he had become disillusioned with the group
and tired of touring, and told manager Peter Grant he was considering
quitting. Grant asked him to reconsider and to take the rest of the year
off to recuperate.
The group reconvened at Headley Grange in January
and February 1974, where they recorded eight tracks engineered by Ron
Nevison. Lead singer Robert Plant later referred to these eight tracks
as "the belters," including "off-the-wall stuff that turned out really
nice." As with previous sessions at Headley Grange, the informal
atmosphere allowed the group to improvise and develop material while
recording. Sometimes the group would rehearse or record a track several
times, discuss what went wrong or what could be improved and then
realized they'd worked out an alternative arrangement for it which was
better. Bonham was a driving force at the sessions, regularly suggesting
ideas or the best ways in which a complicated arrangement could be
played successfully. This led to him getting a lead songwriting credit
on several tracks.
The eight songs extended beyond the length of a
conventional album, almost spanning three sides of an LP, so the group
decided to create a double album, adding material they'd recorded for
previous albums but never issued. This included various jam sessions
such as "Boogie With Stu," which Page thought would be unsuitable as a
track on a single album. Additional overdubs were laid down, and the
final mixing of the album was performed in July 1974 by Keith Harwood at
Olympic Studios, London. The title "Physical Graffiti" was coined by
Page to illustrate the whole physical and written energy that had gone
into producing the set.
(en.wikipedia.org/wiki/Physical_Graffiti)
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