Wednesday, March 30, 2022

The Bob Seger System - Noah (1969)

Year: September 1969 (CD 2008)
Label: Lost Diamonds (Argentina), 80002-2
Style: Rock, Hard Rock, Psychedelic Rock
Country: Detroit, Michigan, U.S. (May 6, 1945)
Time: 44:19
Format: Flac Tracks 16/44,1 kHz
Size: 269 Mb

Bob Seger, byname of Robert Clark Seger, (born May 6, 1945, Dearborn, Michigan, U.S.), American singer, songwriter, and guitarist who achieved great popularity in the 1970s and ’80s with an earthy sound and lyrical themes rooted in the American Midwest.
One of the Midwest’s most successful rock performers, Seger was musically influenced by soul and rhythm and blues that were created in his native Detroit, while his lyrics were largely inspired by the ups and downs in the lives of the working class in the American heartland. After playing with several bands as a teenager, Seger began releasing records under his own name in 1966, but for a number of years he failed to make an impression beyond the Detroit area. In 1974 he assembled the Silver Bullet Band, which would be his backing group for decades to come. On tour they quickly built a national following, which was soon reflected in Seger’s record sales, with Live Bullet (1976) staying on the Billboard charts for more than three years and commencing a string of seven consecutive Top Ten albums, including Night Moves (1976), Against the Wind (1980), and Like a Rock (1986).
In the 1980s the membership of the Silver Bullet Band began shifting, and Seger reduced his touring and recording profile, releasing only two albums in the 1990s. In 2004 he was inducted into the Rock and Roll Hall of Fame and followed with a new album, Face the Promise, in 2006, after which he returned to touring. He later released Ride Out (2014) and I Knew You When (2017). In 2018 Seger launched his farewell tour, and his last concert was held the following year. Even after his public activity had decreased, his music continued to be strongly associated with Midwestern working-class values, leading automobile maker General Motors to feature Seger’s “Like a Rock” in a prominent and long-running advertising campaign for Chevrolet.
(britannica.com/biography/Bob-Seger)

01. Noah (02:55)
02. Innervenus Eyes (02:37)
03. Lonely Man (03:08)
04. Loneliness Is a Feeling (02:59)
05. Cat (06:15)
06. Jumpin' Humpin' Hip Hypocrite (03:08)
07. Follow the Children (03:24)
08. Lennie Johnson (03:03)
09. Paint Them a Picture (04:04)
10. Death Row (02:53)
11. East Side Story [Bonus Track] (02:26)
12. Vagrant Winter [Bonus Track] (02:16)
13. Ballad of the Yellow Beret [Bonus Track] (02:28)
14. Heavy Music - Part 1 [Bonus Track] (02:36)

Bob-Seger69-Noah-box Bob-Seger69-Noah-box-in Bob-Seger69-Noah-cd

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Humble Pie - Rock On (1971)

Year: March 1971 (CD ????)
Label: Rebound Records (Russia), 314 520 240-2
Style: Rock, Blues Rock, Hard Rock
Country: Moreton, Essex, England, UK
Time: 38:34
Format: Flac Tracks 16/44,1 kHz
Size: 235 Mb

Charts: U.S. #118, CA #87.
Rock On saw Humble Pie establishing the heavy blues/rock sound they became famous for, led in no small part by their new manager, Dee Anthony, after the collapse of Andrew Loog Oldham's Immediate Records. It was Frampton's favourite album with Humble Pie, but he was becoming unhappy with continuing in the band. In the latter part of the year, after their live album Performance Rockin' the Fillmore was mixed, and shortly before it was released, he left the band to pursue a solo career, and take his music in a more acoustic direction.
Most of the songs on Rock On were performed live on tour before being recorded for the album. Singer and guitarist Steve Marriott turned the production into a studio party of sorts, featuring numerous guest performers from the world of blues and soul. Distinguished performers such as PP Arnold, who Marriott knew very well from his Small Faces days, Doris Troy who had a U.S. hit in the early 1960s with her own self-composed song "Just One Look" (later covered by The Hollies), and Claudia Lennear (who had sung backing for artists such as Joe Cocker, Freddie King and Gene Clark), were featured on this album.
The album features the classic rock song "Stone Cold Fever", written by band members Marriott, bassist Greg Ridley, Frampton and drummer Jerry Shirley. Marriott's ballad "A Song For Jenny" (written for first wife Jenny Rylance) features The Soul Sisters (Doris Troy, P.P. Arnold and Claudia Lennear) on backing vocals. B.J. Cole contributes pedal steel guitar. "Strange Days" is a blues rock song in which Marriott's powerful vocals soar as close to a live performance as any on this album. The vocals have a delayed echo, sounding grounded yet "out there"; and Frampton's guitar solos weave throughout. It is also the longest song on the album. "Sour Grain" was a joint composition by Frampton and Marriott, keeping the same tempo as "Shine On", but with just Marriott on vocals. "Big George" was a Ridley composition, for which he sang the lead vocals.
(en.wikipedia.org/wiki/Rock_On_(Humble_Pie_album)

01. Shine On (03:00)
02. Sour Grain (02:40)
03. 79th And Sunset (03:01)
04. Stone Cold Fever (04:09)
05. Rollin' Stone (05:59)
06. A Song For Jenny (02:35)
07. The Light (03:15)
08. Big George (04:07)
09. Strange Days (06:36)
10. Red Neck Jump (03:07)

Humble-Pie71-Rock-On-back Humble-Pie71-Rock-On-book-1 Humble-Pie71-Rock-On-book-2

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Joe Walsh (Eagles) - But Seriously Folks (1978)

Year: May 16, 1978 (CD ????)
Label: Elektra Records (U.S.), 6E-141
Style: Pop
Country: Wichita, Kansas, U.S. (November 20, 1947)
Time: 35:22
Format: Flac Tracks 16/44,1 kHz
Size: 210 Mb

Joseph Fidler Walsh was born on November 20, 1947 in Wichita, Kansas, but in his youth he lived in Columbus, Ohio and then later New York City and Montclair, New Jersey. He attended college at Ohio's Kent State University, where he first joined the group the James Gang in 1968. At that time, the James Gang consisted of Walsh on guitar and vocals, Jim Fox on drums, and Tom Kriss on bass in a power trio form. They released their first album, Yer' Album, in 1969. Afterwards, Kriss left the band and was replaced by Dale Peters, creating the most successful incarnation of the James Gang. Walsh's dynamic and creative playing featuring his famously catchy guitar riffs made the band memorable. Their next two albums, James Gang Rides Again (1970) and Thirds (1971), produced such classics as Funk #49 and Walk Away. While the power trio format worked well for the James Gang, Walsh was beginning to become dissatisfied with its limitations. After the release of James Gang Live in Concert in 1971, Walsh left the band to pursue a solo career.
Not quite ready to leave the band format entirely, however, he called himself and his two core backing band members Kenny Passarelli and Joe Vitale "Barnstorm" and released an album of the same name. Passerelli and Vitale would also be the core backing band members for The Smoker You Drink, the Player You Get (1973). While the albums were categorized by many as solo efforts, the three men functioned as a unit, and even played together on Friends and Legends by Michael Stanley. Even after Barnstorm broke up, Vitale continued to be a collaborator and friend of Walsh. Their most famous collaboration is the magnificent Pretty Maids All in a Row which appeared on the Eagles' Hotel California (1976).
Walsh made a name for himself as a solo artist with the hit Rocky Mountain Way off of The Smoker You Drink, the Player You Get (1973). The song was inspired by Walsh's move to Colorado with his wife Stephanie and small child Emma Kristen. Tragically, Emma was killed in a car accident in 1974 while on her way to nursery school, an event which haunts Walsh to this day. He had a small drinking fountain built in her memory in her favorite park in Boulder, denoted by a simple plaque. His next album, So What (1974), contained a tribute to her entitled Song for Emma. He has said that even the album name was a result of Emma's death - that nothing else seemed meaningful or important in the months that followed. The strain would eventually contribute to Walsh's divorce from his second wife Stephanie (Walsh had already been briefly married in the sixties to a lady named Margie).
Unable to enjoy Colorado anymore, he moved back to L.A. He released a live album called You Can't Argue with a Sick Mind in 1976, but by that time he was tired of working alone and was looking for a band to join. He found it in the Eagles, who had just lost their main guitarist Bernie Leadon to creative differences. Once on board, he helped the Eagles craft their most famous album Hotel California which was released later that year. Adding a more rock-oriented edge to the Eagles in the place of Leadon's more country-flavored style, his contributions to the guitarwork of the title track and the famous riffs of Life in the Fast Lane are especially notable.
Walsh's tenure with the Eagles did not preclude him from releasing more work as a solo artist at the same time. The Eagles' slow pace making The Long Run (1979) was convenient in this aspect. He had time to release But Seriously Folks (1978) which produced his famous satire on rock stars, Life's Been Good. He also wrote In the City for the Warriors soundtrack, a song which would later appear on The Long Run.
All was not well within the ranks of the Eagles, however. Walsh's dissatisfaction with the heavy-handedness of Glenn Frey and Don Henley when it came to creative decisions led him to go so far as to discuss forming another band with bassist Randy Meisner and co-lead guitarist Don Felder (his seriousness here is debatable; when Meisner left and tried to pursue the idea, Walsh definitely wanted to stay with the Eagles). Regardless, the discord in the band led to tensions and hostility so pronounced that Henley was to call Walsh an "insidious troublemaker." The amount of alcohol and drugs circulating didn't help much either; Walsh had developed a drinking problem that he wouldn't be able to shake until the nineties, and the amount of money that some of the band members were snorting up their noses would have been enough to buy a small country.
It reached the breaking point when Felder and Frey got into a confrontation at a benefit show in 1980. Frey called it quits and the band broke up. Interestingly enough, Walsh seemed to think they were only on hiatus. He told an interviewer in 1981 that they weren't broken up but were just taking a break for solo careers. He stated that the band would no doubt get together again in a bit to record once more. While his hopes were dashed by the official announcement of the Eagles' breakup in 1982, ironically, he turned out to be right in the long run!
In the eighties, Walsh released the solo albums There Goes the Neighborhood (1981), You Bought It - You Name It (1983), The Confessor (1985), and Got Any Gum (1987). He also got married a third time and fathered a daughter, Lucy, who has entered the music business herself as a singer/pianist/songwriter. After that marriage failed, he was involved with Stevie Nicks for a brief period; Stevie wrote "Has Anyone Ever Written Anything for You" for Walsh.
In 1989, he went on tour as a member of Ringo Starr's All-Starr Band, a collection of former solo musicians that toured together, each one playing a couple songs. These "all-starrs" included musicians like Nils Lofgren and Billy Preston. (He was to tour with the band again in 1992, this time joined by former and future Eagles bandmate Timothy B. Schmit). He also recorded an MTV Unplugged in 1989. Despite these positives, a brief attempt to reunite the Eagles in 1990 failed largely due to Frey's disapproval of the lifestyles of Walsh as well as Henley, and Walsh became discouraged. By 1991, he was even telling interviewers that he didn't care about his albums anymore when "promoting" Ordinary Average Guy (1991). His alcoholism was just as bad as ever, if not worse, and it had gotten to the point where he couldn't even remember the words to his songs half the time in his 1991 concerts opening for the Doobie Brothers. His 1992 album Songs for a Dying Planet quickly slid into obscurity.
In 1993, though, things started looking up. Walsh and Frey mended fences and toured together briefly as the "Party of Two." To this day, the Party of Two occasionally resurfaces for corporate gigs and even a public gig once in a blue moon.
Then, the Travis Tritt video for Take It Easy that same year sparked the famous Hell Freezes Over reunion in 1994. The reunion had a condition that Walsh couldn't ignore: Frey demanded that everyone be sober. Finally, Walsh was able to kick the habit that had plagued him for so many years. (In 2005, Walsh's struggle was the inspiration for his song One Day at a Time, and he has appeared at functions to inspire recovering alchoholics many times. Walsh has speculated that his addiction may have been triggered by "self-medicating" for his ADD). The MTV special, album, and tour were wildly successful, thrusting Walsh into the spotlight once again as he proved to audiences that he had not lost it - that he was in fact better than ever.
The upswing continued when a few years later, Walsh married a fourth time to a lady named Denise. While the marriage is now over, she gave him two sons. Additionally, in 1998, he joined the rest of the Eagles as an inductee into the Rock'n'Roll Hall of Fame, and in 2001 he received an honorary doctorate from Kent State University.
The Eagles toured off and on from 1999-2006, promoting greatest hits packages and a live DVD called Farewell 1 (2005), before releasing what was to be their last new album.
In 2007, they released the long-awaited Long Road Out of Eden. This album included the Walsh/JD Souther song "Last Good Time in Town," as well as Walsh's cover of the Frankie Miller song "Guilty of the Crime." They toured extensively for this as well.
Despite the busy schedule of the Eagles, Walsh found time for projects of his own. In 2006, his old band the James Gang reunited for a short tour. Walsh also conducted a brief solo tour in the summer of 2007. On a personal note, he married once again; his current wife is Marjorie Bach, sister-in-law to Ringo Starr. With her encouragement, he released his first solo album in twenty years: Analog Man (2012). He engaged in a tour to promote the album, including filming a special CMT Crossroads, in between Eagles tour stops.
In 2013, the Eagles releaed a documentary called History of the Eagles and toured for two years, playing all over the world. Then, in 2016, Glenn Frey tragically died at the age of 67. Everyone thought the Eagles were finished without their leader and co-founded. Even Don Henley said so.
However, Henley changed his mind, and in 2017 Joe Walsh was called upon to join a new Eagles which would now find Glenn's son Deacon and Vince Gill on stage beside him. How long the band will continue like this remains to be seen.
Last updated July 19, 2017 (joewalshonline.com/biography.htm)

01. Over And Over (04:52)
02. Second Hand Store (03:35)
03. Indian Summer (03:03)
04. At The Station (05:08)
05. Tomorrow (03:39)
06. Inner Tube (01:24)
07. Theme From Boat Weirdos (04:41)
08. Life's Been Good (08:56)

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Sunday, March 27, 2022

Edgar Broughton Band - Wasa Wasa (1969)

Year: July 1969 (CD ????)
Label: BGO Records (UK), BGOCD129
Style: Rock, Acid Rock, Blues Rock, Psychedelic Rock
Country: Warwick, England
Time: 45:31
Format: Flac Tracks 16/44,1 kHz
Size: 261 Mb

Shaped in Warwick, England, the Edgar Broughton Strap arrived within the London underground music scene in 1968. Led from the Broughton brothers, vocalist/guitarist Edgar and drummer Steve, and fleshed out by bassist Arthur Give and guitarist Victor Unitt (who also briefly offered with the Fairly Items), they quickly signed using the Harvest label and released their debut, Wasa Wasa, a assortment of underground electrical blues jams anchored by Edgar’s Captain Beefheart-like vocals, in past due 1969. The Edgar Broughton Music group came back in 1970 with Sing Sibling Sing, which reached the U.K. Best 20 and spawned a set of minor strike singles, “Out Demons Out” and “Apache Drop-Out” (a fusion of Beefheart’s “Dropout Boogie” as well as the Shadows’ “Apache”). The group appeared poised for a significant industrial breakthrough, but even while their make of large rock and roll was flourishing because of groups like Dark Sabbath and Deep Crimson, the Broughton Music group produced an about-face, and their music became somewhat more tranquil and politically billed. Their graph momentum stalled, along with a 1971 self-titled work failed to capture on. After both 1972’s Inside Out and 1973’s Oora fulfilled a similar destiny, the group still left Harvest for NEMS. Legal wrangles locked them from the studio for several months, however they finally resurfaced in 1975 — minus Unitt, who’d been changed by guitarist John Thomas — with Bandages. A short breakup followed, however in 1978 they came back with Live Strikes Harder. With the discharge of 1979’s Parlez Vous British?, the group acquired expanded to some six-piece, utilizing the name the Broughtons. Time for the Edgar Broughton Music group moniker, the music group became a three-piece for 1982’s Super Chip: THE ULTIMATE Silicon Solution, an idea album filled up with synthesizers and brand-new influx tempos. Touring continuing throughout ’80s, ’90s, and 2000s. In 2004 the band’s six albums for the Harvest label had been reissued, each offering numerous bonus monitors.
(musicianbio.org/edgar-broughton/)

01. Death of an Electric Citizen (06:08)
02. American Boy Soldier (04:21)
03. Why Can't Somebody Love Me (05:06)
04. Neptune (04:20)
05. Evil (02:35)
06. Crying (05:13)
07. Love In The Rain (03:46)
08. Dawn Crept Away (13:59)

Edgar-Broughton69-Wasa-Wasa-01 Edgar-Broughton69-Wasa-Wasa-02 Edgar-Broughton69-Wasa-Wasa-back

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Poco - Legend (1978)

Year: November 1978 (CD Mar 14, 1995)
Label: MCA Records (U.S.), MCAD-11206
Style: Pop, Disco
Country: Los Angeles, California, U.S.
Time: 37:52
Format: Flac Tracks 16/44,1 kHz
Size: 254 Mb

Charts: U.S. #14, Aus #52, Can #12. U.S. - Gold, Can - Gold.
Poco , seminal West Coast country-rock band of the 1970s. Membership: Jim Messina, lead gtr., bs., voc. (b. Maywood, Calif., Dec. 5, 1947); Richie Furay, rhythm gtr., voc. (b. Yellow Springs, Ohio, May 9, 1944); Randy Meisner, bs., voc. (b. Scottsbluff, Neb., March 8, 1946); Rusty Young, pedal steel gtr., dobro., voc. (b. Long Beach, Calif., Feb. 23, 1946); George Grantham, drm., voc. (b. Cordell, Okla., Jan. 20, 1947). Timothy B. Schmit, bs., voc. (b. Sacramento, Calif., Oct. 30, 1947) replaced Randy Meisner; and Paul Cotton, gtr., voc. (b. Los Angeles, Feb. 26, 1943) replaced Jim Messina, in 1970. Schmit and George Grantham left in 1979, to be replaced by Steve Chapman, drm.; Charlie Harrison, bs.; Kim Bullard, kybd.
Poco did not attain the popularity of the Eagles, the first commercially successful band of the genre, until the late 1970s. By that time founders Jim Messina and Richie Furay had moved on, as had founder Randy Meisner, who subsequently joined and departed the Eagles. Despite the personnel changes, Poco maintained a remarkably consistent sound, featuring group vocal harmonies and rock instrumentation. They recorded several outstanding albums, including 1973’s Crazy Eyes, eventually breaking through with 1979’s Legend and its two hit singles. The group disbanded in 1984 and reunited with the original members in 1989.
Jim Messina and Richie Furay, both former members of the Buffalo Springfield, formed Poco with Rusty Young, Randy Meisner, and George Grantham in August 1968. Debuting at the Troubadour in Los Angeles in November, Poco auditioned for Apple Records but signed with Epic. Given the chaotic career of the Buffalo Springfield, Poco’s debut album was appropriately titled Piekin’ Up the Pieces. The album sold only modestly and failed to yield a hit single. By the time of the album’s release, Meisner had already departed to join Rick Nelson’s Stone Canyon Band, later to help form the Eagles. Poco remained a quartet until February 1970, when Timothy B. Schmit joined the band. Poco and Deliverin’ yielded minor hits with Messina’s “You Better Think Twice” and Furay’s “C’mon.”
In November 1970 Jim Messina left Poco to form the successful Loggins and Messina duo with Kenny Log-gins. He was replaced by Paul Cotton, the erstwhile leader of the 111. Speed Press. This lineup—Furay, Young, Cotton, Schmit, and Grantham—recorded three albums and toured extensively, usually as a support act. Crazy Eyes, probably their finest album for Epic, sold moderately and included Furay’s title song as well as excellent versions of Gram Parsons’s “Brass Buttons” and J. J. Cale’s “Magnolia.”
Richie Furay left Poco in September 1973 to form the ill-fated Souther-Hillman-Furay Band, with singer-songwriter John David Souther and Chris Hillman, a former member of the Byrds and the Flying Burrito Brothers. An early associate of Jackson Browne and Glenn Frey, Souther had cowritten several songs for the Eagles and contributed three songs to Linda Ronstadt’s album Don’t Cry Now. Formed at the behest of Asylum Records president David Geffen as a prospective supergroup, they scored a major hit with Furay’s “Fallin’ in Love” from their debut album. However, the group encountered a credibility problem brought on by Asylum’s massive hype campaign, and they disbanded in late 1975. Furay later recorded three solo albums for Asylum, managing a moderate hit with “I Still Have Dreams” in late 1979.
With Furay’s departure, Poco continued as a four-piece, with Paul Cotton taking over as lead vocalist and Cotton and Young composing most of the material. They recorded two more albums for Epic before switching to ABC Records in 1975. They were able to achieve minor hits with “Keep On Tryin’” and the title songs to Rose of Cimarron and Indian Summer. However, by March 1978 Timothy B. Schmit had left to join the Eagles and George Grantham had left, to eventually join the Doobie Brothers. Rusty Young, the only remaining original member, and Paul Cotton reconstituted the group for their best-selling album Legend, which yielded the major hits “Crazy Love” and “Heart of the Night.” Buoyed by the album’s success (it stayed on the album charts for a year), Poco continued to tour and record until 1984, when they disbanded.
In 1989 the five original members of Poco—Jim Messina, Richie Furay, Randy Meisner, Rusty Young, and George Grantham—reunited to record Legacy for RCA. The album yielded a moderate hit with "Nothin' to Hide," cowritten by producer Richard Marx, and "Call It Love." They toured in 1990 with drummer Gary Mallaber, but the band soon disintegrated.
(encyclopedia.com/arts/dictionaries-thesauruses-pictures-and-press-releases/poco-0)

01. Boomerang (03:49)
02. Spellbound (05:13)
03. Barbados (03:31)
04. Little Darlin` (03:43)
05. Love Comes Love Goes (03:54)
06. Heart of the Night (04:50)
07. Crazy Love (02:54)
08. The Last Goodbye (05:39)
09. Legend (04:14)

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Frijid Pink - All Pink Inside (1974)

Year: 1974 (CD 1996)
Label: Green Tree Records (Germany), GTR 051
Style: Hard Rock, Psychedelic Rock, Blues Rock
Country: Brighton, Michigan, U.S.
Time: 35:27
Format: Flac Tracks 16/44,1 kHz
Size: 223 Mb

Who is Frijid Pink?
Frijid Pink is an American psychedelic/blues rock, formed in 1967. Their first two singles on Parrot label went unnoticed, but their third single, a cover of the Animals' "House Of The Rising Sun" – broke into the Top 10 in 1970. Their self-titled debut was a Top 20 hit on the Billboard 200 chart that same year; their second album Defrosted was also released later. However, following singles such as "Sing A Song For Freedom" and "Heartbreak Hotel" were minor hits. They released Earth Omen in 1972, and after a long hiatus, Frijid Pink returned to the studio to record their final album All Pink Inside before disbanding in 1975. The group re-formed in the 21st century, continuing performing and recording.
The Detroit rockers Frijid Pink:
Frijid Pink is an American rock band formed in Detroit, Michigan in 1967. The original line-up of the group comprised of singer Kelly Green (the stage name of Thomas Beaudry), guitarist Gary Ray Thompson, keyboardist Larry Zelanka, bass guitarist Tom Harris and drummer Richard Stevers
The group played various forms of rock music including acid rock, blues rock, psychedelic rock, hard rock and progressive rock.
First and only major hit with "The House of the Rising Sun":
The group spent their first two years touring and performing around Detroit and Southeast Michigan area before inking a contract with Parrot label in 1969. Their first two singles (also released that same year) "Tell Me Why" and "Drivin' Blues" failed to generate much notice. However, their third single - a distorted, guitar-driven rendition of the Animals' "The House of the Rising Sun" - broke into the Billboard Hot 100's Top 10, peaking at #7.
The single sold over a million copies, guaranteeing it a "gold" disc status. "The House of the Rising Sun" was an even bigger hit on the British chart at #4, and on the Canadian chart at #3.
The hit single was included on the group's self-titled debut album, which also became a big smash. Released in 1970, Frijid Pink LP reaching #11 on the Billboard 200 album chart.
Frijid Pink became so wildly popular especially in their hometown Detroit that a newcomer British rock band by the name of Led Zeppelin opened for them, at the city's Grande Ballroom. Frijid Pink often shared top billing with other local acts such as the Amboy Dukes, MC5, and the Stooges.
The group's LP Defrosted was also released in 1970, and went to #149 on the Billboard 200 album chart. Most of the album's tracks were written by Beaudry and Thomspon.
However, following singles such as "Sing a Song for Freedom" (#55, Hot 100) and their cover of Elvis Presley's "Heartbreak Hotel" (#72, Hot 100) didn't quite match the success of their first single. Beaudry and Thompson left, and new members David Alexander and (later) new singer Jon Wearing joined the fold. This new roster recorded and released Earth Omen on Lion label in 1972.
Frijd Pink's disbandment:
After that album, the group didn't re-enter the studio until 1975 when another wave of new members (vocalist Jo Baker and bassist Larry Poplizio) joined Frijid Pink to record their last released studio album All Pink Inside (on Fantasy label in 1975). Soon after the album was issued, Frijid Pink disbanded.
Frijid Pink's re-activity in the 21st century:
In 2002, the band re-formed (but no old members were present) and recorded one more album Inner Heat, which still remains unreleased. Three years later the group formed once again, retaining most of its original members - Stevers, Harris and Beaudry, with new guitarist Steve Dansby (of Cactus) and keyboardist Larin Michaels.
However, this lineup dissolved by late 2006. Stevers started to launch auditions for new Frijid Pink members. The recent lineup did local gigs and eventually returned to the studio, in an attempt to record another album. In 2011 that album was eventually released in the US as an import, featuring re-recorded versions of the band's old tracks as well as new music. Frijid Pink has continued doing studio work, while its lineup has been continually fluctuating.
(mentalitch.com/frijid-pink-the-house-of-the-rising-sun/)

01. Money Man (02:55)
02. Put It In Your Pocket (03:14)
03. Potrait (02:12)
04. Gonna Get It Yet (03:37)
05. Paula In My Dreams (03:07)
06. A Day Late A Dollar Short (03:02)
07. Got To Go Back (02:25)
08. Take Me To Your Palace (03:36)
09. School Day (03:41)
10. Lovely Lady (04:24)
11. Rock And Roll In China (03:08)

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Friday, March 25, 2022

Medicine Head - Two Man Band [Japan Edition] (1976)

Year: 1976 (CD 20??)
Label: Air Mail Archive (Japan), AIRAC-1689
Style: Rock
Country: Stafford, England
Time: 53:00
Format: Flac Tracks 16/44,1 kHz
Size: 306 Mb

Medicine Head (ostensibly a duo comprising John Fiddler and Peter Hope Evans) formed in Stafford in 1968 and came to prominence when championed by influential DJ John Peel, who signed them to his own Dandelion label.
The angelic Hope Evans was the Bolan-esque beauty that could (and did) set the teenyboppers‘ hearts a-flutter. Fiddler was the intellectual giant who promised substance to match his style.
1971’s Heavy On The Drum was a big improvement over their debut LP, New Bottles, Old Medicine (1970), with ex-Yardbirds frontman Keith Relf producing.
Most of the tracks were penned by Fiddler, with two co-written by his harmonica-playing sidekick.
1971 was a good year all-around for Medicine Head, who notched up a minor hit with Pictures In The Sky and even appeared on Top Of The Pops.
Relf joined the band the following year for their third album, Dark Side Of The Moon (1972). Pink Floyd obviously thought it was a great name for an album!
Four further albums followed and the duo deservedly achieved success with three more chart hits – the best known of which, One and One is One (1973), reached #3.
Fiddler has revived the Medicine Head brand from time to time for touring purposes. In 2005, the independent Angel Air label released an album entitled Don’t Stop The Dance, comprising old unreleased Medicine Head tracks.
John Fiddler - Vocals, guitar, piano, drums
Peter Hope Evans - Harmonica, Jew’s Harp, Mouthbow
(nostalgiacentral.com/music/artists-l-to-z/artists-m/medicine-head/)

01. It's Natural (03:58)
02. Wishin' And Wishin' (03:52)
03. Give It Away (02:48)
04. Si Belle (03:29)
05. Mother Love (04:16)
06. I'm Your Man (03:45)
07. Sun's Sinkin' Low (03:34)
08. Over You (03:14)
09. River Of Tears (04:54)
10. Shake Me (03:29)
11. Too Much Love (04:02)
12. Me And Suzie (Hit The Floor) (Bonus Track) (03:32)
13. Moon Child (Bonus Track) (04:06)
14. Midnight (Bonus Track) (03:55)

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Humble Pie - Humble Pie [Japan Edition] (1970)

Year: July 1970 (CD Feb 14, 2007)
Label: A&M Records (Japan), UICY-93219
Style: Hard Rock, Blues Rock, Folk Rock
Country: Moreton, Essex, England, UK
Time: 42:40
Format: Flac Tracks 16/44,1 kHz
Size: 283 Mb

At the start of 1969 and soon after leaving Small Faces, Steve Marriott joined the newly established trio that he had helped to form: Humble Pie.
The band consisted of former Herd frontman Peter Frampton on guitar, bassist Greg Ridley who was previously in Spooky Tooth and the young Jerry Shirley on drums. Marriott and Frampton were both regarded as “teen idols” at that time, so the union of the two resulted in Humble Pie being labelled with another common term of the time – “Super Group”.
The formation of Humble Pie brought massive expectations from public and press alike, so under a veil of secrecy, the four left London and secluded themselves in the adjacent county of Essex to begin the creative process. A lot of the writing took place at Steve’s Beehive Cottage in Moreton, and the Village Hall in nearby Magdalen Laver was booked for rehearsals.
It was a fruitful time for the newly formed Pie, as a couple of albums worth of material came from the process. Contractual snags briefly postponed their release, nevertheless “As Safe As Yesterday Is” was released, swiftly followed by “Town and Country”, both on Andrew Loog Oldham’s Immediate label.“As Safe As Yesterday Is” included the hit single “Natural Born Bugie” and the group commenced appearances to promote their newly released albums.
Whilst Marriott, Ridley, and Frampton shared frontman duties, concerts were musical marathons presented around two distinct parts The first was acoustic and mellow, frequently performed by the four members of Humble Pie sitting on the stage floor barefooted, and the second half of the concerts was plugged-in, louder and much more rhythm & blues-influenced.
When Immediate Records folded due to financial disarray, Humble Pie spent a period of time in limbo until eventually a deal was signed with A&M. At the same time, Dee Anthony was introduced as the band’s manager to bring a change in the business side of the group’s affairs. This proved to be a pivotal moment in the Pie’s career since the musical focus of the band shifted into a more rock and blues repertoire, which is certainly evident in their subsequent LP release in 1970, the self-titled “Humble Pie”.
With Anthony in charge of the group’s affairs, Humble Pie’s focus was on the United States, which had been in the midst of the so-called “British Invasion”. American music fans were eager for as much British new music as they could consume, and a slice of Humble Pie was a welcome addition to the musical menu, and so the quartet embarked on several tours across “the Pond”. Their live set was now a mix of boogie and blues with Marriott coming to the fore as the primary front man and focus of the band. This prompted co-leader Peter Frampton to move on again to what would become an occasionally legendary solo career.
(stevemarriott.co.uk/humble-pie/humble-pie/)

01. Live With Me (07:55)
02. Only A Roach (02:49)
03. One-Eyed Trouser-Snake Rumba (02:51)
04. Earth And Water Song (06:18)
05. I'm Ready (04:59)
06. Theme From Skint (See You Later Liquidator) (05:43)
07. Red Light Mamma, Red Hot! (06:15)
08. Sucking On The Sweet Vine (05:46)

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Golden Earring - Eight Miles High (1969)

Year: 1969 (CD 2001)
Label: Red Bullet Records (Europe), RB 66.202
Style: Rock, Hard Rock, Psychedelic Rock
Country: The Hague, Netherlands
Time: 37:55
Format: Flac Tracks 16/44,1 kHz
Size: 222 Mb

Golden Earring was one of the longest existing bands in the world, with a classic lineup that remained together for over half a century. The band was formed in 1961 in The Hague en became one of the prominent acts of the flourishing beat scene. The Golden Earring, as the band initially was called, managed to adapt to the changing musical times. After a psychedelic phase, the group found in 1970 its own high energy rock sound and its definitive lineup of Barry Hay (vocals, flute, guitar), George Kooymans (guitar, vocals), Rinus Gerritsen (bass, keyboards) and Cesar Zuiderwijk (drums).
Their big break came in 1973 with the album Moontan and the international single hit Radar Love it produced. Golden Earring toured with immense success in North America. The albums that followed were made with additional musicians, respectively Robert Jan Stips (keyboards) en Eelco Gelling (guitar). At the end of the seventies, their success seemed to fade and the back-to-classic lineup of Golden Earring considered throwing in the towel. The intended farewell album, tellingly named Cut, proved to be an unexpected hit. Plans to quit were quietly abandoned, especially after scoring a top 10-hit in America with the single Twilight Zone.
From the mid-eighties onwards, Golden Earring focused again on their home country. In the decades that followed, the band continued to be a major concert draw. The acoustic shows in the Dutch theatres proved to be especially successful. The Naked Truth acoustic live albums series sold very well. The 50th (recording) anniversary was celebrated with a sold-out show in the Ziggo Dome in Amsterdam. Three years earlier the studio album Tits ‘n Ass was released. Their swan song, as it turned out. Early in 2021, the news broke that George Kooymans suffered from the neurological condition ALS. The band consequently ended its active career. It was a moment that was experienced by countless fans and colleagues as the end of an era.
(golden-earring.nl/?lang=en)

01. Landing (04:28)
02. Song Of A Devil's Servant (06:01)
03. One Huge Road (03:06)
04. Everyday's Torture (05:20)
05. Eight Miles High (18:58)

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Wednesday, March 23, 2022

Mott The Hoople - Fairfield Halls Live (1970)

Year: 1970 (CD 2007)
Label: Angel Air Records (UK), SJPCD250
Style: Hard Rock, Blues Rock, Classic Rock
Country: Hereford, Herefordshire, England
Time: 73:44
Format: Flac Tracks 16/44,1 kHz
Size: 501 Mb

Having played in a number of different rock bands in Hereford, England, during the late 60s, the founding members of this outfit comprised Overend Watts (Peter Watts, 13 May 1947, Birmingham, England; vocals/bass), Mick Ralphs (b. Michael Geoffrey Ralphs, 31 May 1944, Hereford, Herefordshire, England; vocals/guitar), Verden Allen (b. 26 May 1944, Hereford, England; organ) and Dale Griffin (b. 24 October 1948, Ross-on-Wye, England; vocals/drums). After dispensing with their lead singer Stan Tippens, they were on the point of dissolving when Ralphs sent a demo tape to Island Records producer Guy Stevens. He responded enthusiastically, and after placing an advertisement in Melody Maker, they auditioned a promising singer named Ian Hunter (b. 3 June 1946, Shrewsbury, Shropshire, England; vocals, keyboards, guitar). In June 1969 Stevens christened the band Mott The Hoople, after the novel by Willard Manus. Their self-titled debut album revealed a very strong Bob Dylan influence, most notably in Hunter's nasal vocal inflexions and visual image. With his corkscrew hair and permanent shades Hunter bore a strong resemblance to vintage 1966 Dylan and retained that style for his entire career.
Their first album, with its M.C. Escher cover illustration, included pleasing interpretations of the Kinks' 'You Really Got Me' and Sonny Bono's 'Laugh At Me', and convinced many that Mott would become a major band. Their next three albums trod water, however, and it was only their popularity and power as a live act that kept them together. Despite teaming up with backing vocalist Steve Marriott on the Shadow Morton -produced 'Midnight Lady', a breakthrough hit remained elusive. On 26 March 1972, following the departure of Allen, they quit in disillusionment. Fairy godfather David Bowie convinced them to carry on, offered his assistance as producer, placed them under the wing of his manager, Tony De Fries, and even presented them with a stylish UK Top 5 hit, 'All The Young Dudes'. The catchy 'Honaloochie Boogie' maintained the momentum but there was one minor setback when Ralphs quit to form Bad Company. With new members Morgan Fisher (b. 1 January 1950, London, England) and Ariel Bender (b. Luther Grosvenor, 23 December 1949, Evesham, Worcestershire, England) the band enjoyed a run of further UK Top 10 hits including 'All The Way From Memphis' and 'Roll Away The Stone'. During their final phase, Bowie's sideman Mick Ronson (b. 26 May 1945, Hull, Yorkshire, England, d. 30 April 1993) joined the band in place of Grosvenor (who had departed to join Widowmaker). Preparations for a European tour in late 1974 were disrupted when Hunter was hospitalized suffering from physical exhaustion, culminating in the cancellation of the entire tour. When rumours circulated that Hunter had signed a recording contract instigating a solo career, with Ronson working alongside him, the upheaval led to an irrevocable rift within the band, resulting in the stormy demise of Mott The Hoople. With the official departure of Hunter and Ronson, the remaining members, Watts, Griffin and Fisher, determined to carry on, working simply as Mott.
(oldies.com/artist-biography/Mott-Hoople.html)

01. Ohio (05:00)
02. No Wheels To Ride (07:45)
03. Rock 'N' Roll Queen (05:18)
04. Thunderbuck Ram (04:56)
05. When My Mind's Gone (06:42)
06. Keep A Knockin' (08:28)
07. You Really Got Me (08:55)
08. Long Red (04:22)
09. The Original Mixed Up Kid (04:37)
10. Walking With A Mountain (07:08)
11. Laugh At Me (05:46)
12. Thunderbuck Ram (04:42)

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Lynyrd Skynyrd - Second Helping (1974)

Year: April 15, 1974 (CD 1997)
Label: MCA Records (U.S.), MCAD-11648
Style: Blues Rock, Southern Rock, Classic Rock
Country: Jacksonville, Florida, U.S.
Time: 53:55
Format: Flac Tracks 16/44,1 kHz
Size: 326 Mb

Chart: US Billboard 200 #12; Weeks on the chart 45; United States 2xPlatinum (2,000,000 sales).
The legacy began some 41 years ago in Jacksonville, Florida, and halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Billy Powell, Leon Wilkeson and Hughie Thomasson, yet Lynyrd Skynyrd rocks on with original member Gary Rossington joined by Johnny Van Zant, Rickey Medlocke, Mark "Sparky" Matejka, Michael Cartellone, Johnny Colt, Peter Keys, Dale Krantz Rossington and Carol Chase.
The rock and roll powerhouse continually tours, this summer heading out on their second run with Bad Company. 2014 marks the 8th year for their annual Simple Man Cruise, a four day voyage filled with the best music in Southern Rock including an outdoor beach show featuring Lynyrd Skynyrd for the first time in the cruise's history.
And so Skynyrd stands, "still unbroken." "People may say, 'they need the money,' well I don't think any of us need the money," Van Zant says. "It's just that we love the music, it's bigger than the money, it's not even about that any more. We have to make a living, sure, but it's about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There's nothing like getting out there playing a great show with Skynyrd and seeing people love this music."
Adds Rossington, "We're still standing, still keeping the music going. We wanted to do the guys who aren't with us any more proud, and keep the name proud, too."
With a catalog of over 60 albums, sales beyond 30 million worldwide and their beloved classic American rock anthem "Sweet Home Alabama" having over two million downloaded ringtones, Rock & Roll Hall of Famers Lynyrd Skynyrd remains a cultural icon that appeals to all generations.
(lynyrdskynyrd.com/)

01. Sweet Home Alabama (04:43)
02. I Need You (06:55)
03. Don't Ask Me No Questions (03:26)
04. Workin' for MCA (04:49)
05. The Ballad of Curtis Loew (04:51)
06. Swamp Music (03:31)
07. The Needle and the Spoon (03:53)
08. Call Me the Breeze (05:09)
09. Don't Ask Me No Questions (Single Version) (03:31)
10. Was I Right or Wrong (Demo) (05:33)
11. Take Your Time (07:29)

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Vinegar Joe (Robert Palmer) - Rock'n'Roll Gypsies (1972)

Year: 1972 (CD 2003)
Label: Lemon Records (UK), CD LEM 15
Style: Classic Rock, Blues Rock, Rock
Country: London, England
Time: 41:07
Format: Flac Tracks 16/44,1 kHz
Size: 263 Mb

Vinegar Joe were an English R&B band, formed in 1971 in London. They released three albums on Island Records, but were best known for their live shows and launching the solo careers of Elkie Brooks and Robert Palmer.
Vinegar Joe evolved out of Dada, a 12-piece Stax-influenced, jazz/blues rock fusion band. Dada released one eponymous album in 1970, with a line up including vocalist Elkie Brooks and guitarist Pete Gage. Singer Robert Palmer, formerly with The Alan Bown Set joined Dada after the album had been recorded. Dada were signed by Ahmet Ertegun for Atlantic Records. After their US tour, Ahmet sub-licensed them to Chris Blackwell of Island Records for the UK and rest of the world, with instructions to reduce the line up to form Vinegar Joe in 1971, adding keyboard player Dave Thompson, but the band was still without a drummer. Phil Collins had unsuccessfully applied for the job. Conrad Isidore and Rob Tait drummed on the first album. Tim Hinkley added keyboards alongside Dave Thompson and it was Hinkley who appeared on the cover of the first album. Their debut LP Vinegar Joe was released in April 1972 on Island Records in the UK and Atco Records in the US. The album cover featured plasticine models of the band created by John Padley.
Tim Hinkley took over from Thompson on keyboards and was succeeded by John Hawken. Drummer Rob Tait played the first series of live shows succeeded by John Woods. Mike Deacon took over on keyboards. During recording of their second album, Rock'n Roll Gypsies, also released in 1972, Keef Hartley played drums. Guitarist Jim Mullen also joined the band for this record and played on the US tour. The artwork for the album was supplied by Hipgnosis. Drummer Pete Gavin joined the band prior to the US tour and recording of their third and final album Six Star General released in 1973. The band dissolved in the spring of 1974. Alan Powell played drums during the band's final weeks.
Subsequently, Brooks and Palmer went on to enjoy success as solo musicians. Gage became a record producer and arranger, working with Brooks, his wife, until their divorce, and a range of musicians such as Joan Armatrading and specialising in upcoming rockabilly and punk bands including as Restless and King Kurt.
(en.wikipedia.org/wiki/Vinegar_Joe_(band))

01. So Long (04:45)
02. Charie's Horse (03:07)
03. Rock'n'Roll Gypsies (05:11)
04. Falling (03:15)
05. It's Getting To The Point (04:31)
06. Whole Lotta Shakin' Goin' On (02:44)
07. Buddy Can You Spare A Line (04:27)
08. Angel (04:18)
09. No One Ever Do (04:14)
10. Forgive Us (04:31)

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