Label: Tochiba-EMI (Japan), TOCP-8442
Style: Symphonic Rock, Progressive Rock
Country: Leicester, England (9 June 1941 - 16 July 2012)
Time: 48:50
Format: Flac Tracks 16/44,1 kHz
Size: 271 Mb
Looking
back across hard rock history, stylistic parallels with certain aspects
of classical music’s more bombastic incarnations are unavoidable. The
full-tilt Sturm und Drang of Wagner, the opening riff of Beethoven’s
Fifth (surely the allegro con brio Smoke On The Water of symphonic
fortissimo) clearly presage rock’s essential elements. But back when
rock was young, Elton still Reg, and Jon Lord endeavouring to fuse two
largely disparate genres into harmonious union, his noble experiment
couldn’t have been greeted with more horror by classicists than if he
were attempting to fashion a hybrid of Jeff Goldblum and a fly.
Pop,
as it still remained, was way more open to bold progression. Incredibly,
record-buyers stoically avoided no less than three Deep Purple albums
beforeConcerto For Group And Orchestra (technically attributed to ‘Jon
Lord With Deep Purple’) finally afforded the band their first UK chart
placing. Encouraged – validated even – Lord persevered. 1972’s
Purps-inspired, Beeb-commissioned Gemini Suite with the LSO and Malcolm
Arnold was similarly well received, but then came ’74’s Windows
(co-composed with Moog-handed Eberhard Schoener).
Comprised of two
extended pieces for a rock septet (that included David Coverdale and
Glenn Hughes on vocals) and the Munich Chamber Orchestra, complete with
complementary sopranos, it was experimental and ambitious, yet sadly a
bridge too far.
(bing.com/translator?from=&to=ru&setlang=ru)
01. Continuo on B.A.C.H. (16:27)
02. Window (32:22)
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