Label: Luaka Bop Records (Europe), VVR1030042
Style: Folk, World, Jazz
Country: Chorrillos, Lima Province, Peru (24 May 1944)
Time: 56:35
Format: Flac Tracks 16/44,1 kHz
Size: 322 Mb
Recorded
in New York just after the trauma of 9/11, Espiritu Vivo marries Susana
Baca's wonderfully airy vocals and her usual Peruvian backing band with
the downtown N.Y.C. sounds of John Medeski and guitarist Marc Ribot --
and it proves to be a wonderful union indeed. Recorded before a small
invited audience, this has the immediacy of a live album, with the
benefits of the studio, a superb balance of instruments. As usual, most
of the material comes from the Afro-Peruvian canon that's Baca's
hallmark, but she does draw upon outsiders for three interesting covers:
Mongo Santamaria's "Afro Blue," Caetano Veloso's "13 de Mayo," and most
surprisingly of all, "Anchor Song" from Bjork. But she integrates them
perfectly into her style, taking them all to a place they'd never
imagined, where her voice can be dreamlike over a simple backing, as on
the gorgeous "Si Me Quitaran Totalamente Todo" and "Les Feuilles
Mortes," or more rhythmically lively, which she finds on "Caracunde" and
"Se Me Van los Pies." Medeski and Ribot work well with the combo, Ribot
especially, offering unusual atmospheric licks throughout, while
Medeski's Hammond organ offers a warm bed a sound for Baca's voice.
Given the time and place of recording, there's an astonishingly
transcendental quality to the record, as if Baca is giving every iota of
herself to the music, and the players are following her lead. Her best
album to date, which is quite a claim.
(allmusic.com/album/esp%C3%ADritu-vivo-mw0000217477)
01. La Noche Y El Dia (04:41)
02. Si Me Quitaran Totalmente Todo (03:31)
03. Caracunde (04:09)
04. El Fusil (05:32)
05. Se Me Van Los Pies (05:34)
06. 13 De Mayo (04:19)
07. Toro Mata (06:40)
08. Aparacion (05:05)
09. Afro-Blue/Zum Zum (05:19)
10. Les Feuilles Mortes (05:52)
11. Anchor Song (05:48)
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