Label: Sire Records (Germany), 7599-27425-2
Style: New Wave, Post-Punk, Art-Pop, Avant-Funk
Country: New York City, New York, U.S.
Time: 41:45
Format: Flac Tracks 16/44,1 kHz
Size: 270 Mb
Talking
Heads’ album More Songs About Buildings And Food is frustratingly
timeless. Their second studio album, released in 1978, it was the first
product of the Brian Eno/David Byrne relationship. Less art rock, more
dance music, it is a true New Wave album, with the dial turned up on the
rhythm section of Tina Weymouth on bass and Chris Frantz on drums.
Eno’s Roxy Music effect is worn well by Talking Heads, and has aged even
better over the past 45 years.
In 1978, Talking Heads were still
very punk rock. While in New York to produce More Songs About Buildings
And Food, Brian Eno was introduced to the “no wave” scene. After
attending a show, he rounded up the bands for the compilation No New
York. More Songs About Buildings And Food is before the big suits and
manicured aesthetic, delightfully rough around the edges with a New York
punk sensibility.
Among the several reasons this album is a bright
spot in Talking Heads’ catalog is the group’s first top 30 single, “Take
Me To The River.” Their Al Green cover has Byrne’s vocal gymnastics
taking the place of Green’s horn section. The down-tempo, synthesized
version swaggers along, a fun take on an already perfect song. It was
immediately popular, a much more commercial single than the previously
released “Psycho Killer,” but just as weird and catchy.
The theme of
commercialism pops up in sneaky smart non sequiturs from under the
dominant basslines. The increasing anxiety of “Stay Hungry” and droning
corporate speak of “The Good Thing” wink at late capitalism. Even the
title of the album itself is a nod to the prescriptive nature of a
sophomore album, capitalizing on fleeting relevancy.
“Found a Job” is
a “live to work” nightmare, a bored couple finding love through making a
television show together. Byrne cries “if your work isn't what you
love, then something isn't right.” He toys with the inherent capitalism
in the idea of “making it work.” At the end, the plucky break down is
the most fun and danceable Talking Heads had been to date. And while the
horrors of Yuppie culture feel somewhat quaint in 2023, they’re not so
far away.
The galloping opening track “Thank You For Sending Me An
Angel” has blunt percussions and slinky synths. That signature restless
cacophony continues on “With Our Love.” Both songs push the rhythm
section into the forefront, the former having country roots and the
latter based in funk. The entirety of More Songs About Buildings And
Food exists in this space, hovering between genres, cherry-picking the
most enticing, eccentric elements.
“Artists Only” is the alternate
ending to “Psycho Killer,” with macabre keyboards and Byrne’s most
experimental vocal performance on the album. It delivers the same
antisocial anger as “Psycho Killer,” but reframed as the breakdown of a
frustrated artist.
That same “artist versus everyone else” energy is
converted into a satire of traditional American values in “The Big
Country.” It’s a skewering of the concept of middle America in a
sprawling country song. Lyrically, it examines the feeling of being a
foreigner in your own country and the futility of living out the
American dream. It’s deeply polarizing and political subject feels as
prescient today as it did four-and-a-half decades ago.
In the canon
of Talking Heads’ music, More Songs About Buildings And Food beautifully
demonstrates the reason they were able to maintain such a high profile
while keeping an avant-garde sound. Their trick to making an
experimental album was to also have one very good single. “Take Me To
the River” is one of Talking Heads’ most commercially successful and
definitive songs. But in the same motion, they also recorded an integral
album to the early New Wave movement that sounds remarkably insightful
today.
(albumism.com/features/talking-heads-more-songs-about-buildings-and-food-album-anniversary)
David Byrne – vocals, guitar, keyboards, toy piano, slide guitar
Jerry Harrison – piano, keyboards, guitar, slide guitar, tambourine, backing vocals
Chris Frantz – drums, keyboard percussion
Tina Weymouth – bass, keyboards, organ, backing vocals
Brian Eno – synthesizers, piano, guitar, percussion, backing vocals, producer
01. Thank You For Sending Me An Angel (02:11)
02. With Our Love (03:31)
03. The Good Thing (03:03)
04. Warning Sign (03:54)
05. The Girls Want to Be With The Girls (02:38)
06. Found A Job (04:59)
07. Artists Only (03:35)
08. I'm Not In Love (04:35)
09. Stay Hungry (02:40)
10. Take Me To The River (05:03)
11. The Big Country (05:31)
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