Label: Epic / Sony Records (Japan), ESCA 5536
Style: Jazz Rock, Fusion, Progressive Rock
Country: Canterbury, England
Time: 76:40
Format: Flac Tracks 16/44,1 kHz
Size: 415 Mb
Definetely
a class act, Soft Machine never had a stable line-up and became a
refuge for Nucleus members as these continued to replace departing
members. Karl Jenkins is a much needed new blood (replacing Elton Dean
on reeds but also playing KB along with Ratledge) as the group
inspiration was waning. But in this album, the newer members make their
presence felt. For the first time in a while, a tracks gets group
credits as opposed to individual ones and others are collaborations. the
vast majority of the tracks are penned by Ratledge or Jenkins and
Hopper takes a back seat.
One disc is live and the other is studio .
The live album is made of two 20 min long tracks made of separate
section a bit in the mini-suite mode. Clearly the first track is a
renewal of the Machine and sets the direction towards fusion. the second
tracks is much in the same mode but interrupted by a drum solo. The
second vinyl disc was much shorter in lenght but showed that the
Jenkins-Ratledge tancem was also working fine in studio. Only the last
track is more in Hugh Hopper's mood - going in a typical RIO direction.
In
the middle period of Soft Machine (from 4 until 7), this is the better
album to start with and is recommended to all that loved Third and
Bundles.
(progarchives.com/album.asp?id=3240) Review by Sean Trane. February 3, 2004
01. Fanfare (00:42)
02. All White (04:46)
03. Between (02:33)
04. Riff (04:28)
05. 37 1-2 (06:55)
06. Gesolreut (06:13)
07. E.P.V. (02:50)
08. Lefty (05:02)
09. Stumble (01:36)
10. 5 From 13 (For Phil Seamen With Love & Thanks) (05:15)
11. Riff 11 (01:29)
12. The Soft Weed Factor (11:16)
13. Stanley Stamps Gibbon Album (For B.O.) (05:58)
14. Chloe And The Pirates (09:33)
15. 1983 (07:56)
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