Label: Vertigo Records (Japan), PHCR-1120
Style: Rock
Country: London, England
Time: 60:21
Format: Flac Tracks 16/44,1 kHz
Size: 365 Mb
Five years ago, Dire Straits was threatening to become the biggest
band in the world - and/or an extended arena-rock cliche - when Mark
Knopfler whipped off his headband, put down his guitar and hopped off
the "money for nothing, chicks for free" treadmill. After an extended
hiatus, Knopfler has made an album that falls somewhere between a
radical reinvention of Dire Straits and the next step on a continuum
from the mega-platinum Brothers in Arms, released in 1985. While "Heavy
Fuel," sardonic but fairly witless, will likely emerge as a raised-fist,
frat-boy anthem in the "Money for Nothing" mold, most of the rest
forsakes heavy-riffing guitar-hero histrionics for more mature brands of
mood music.
In the manner of last year's Notting Hillbillies and Knopfler's other side projects, On Every Street explores Knopfler's affinity with Nashville in particular and with an idealized version of the musical South in general, with session steel player Paul Franklin emerging as his major musical foil. The album opens in Memphis with "Calling Elvis," which offers a playful ride on the "Mystery Train" into a brave new world of sampling and rhythm loops. From there the songcraft of "When It Comes to You," "The Bug" and "How Long" practically demands the country-cover treatment, while Franklin additionally makes key contributions to the cocktail-jazz cool of "Fade to Black" and the "Spanish Harlem"-tinged "Ticket to Heaven."
(rollingstone.com/music/music-album-reviews/on-every-street-100888/) Review by Don McLeese. October 17, 1991
In the manner of last year's Notting Hillbillies and Knopfler's other side projects, On Every Street explores Knopfler's affinity with Nashville in particular and with an idealized version of the musical South in general, with session steel player Paul Franklin emerging as his major musical foil. The album opens in Memphis with "Calling Elvis," which offers a playful ride on the "Mystery Train" into a brave new world of sampling and rhythm loops. From there the songcraft of "When It Comes to You," "The Bug" and "How Long" practically demands the country-cover treatment, while Franklin additionally makes key contributions to the cocktail-jazz cool of "Fade to Black" and the "Spanish Harlem"-tinged "Ticket to Heaven."
(rollingstone.com/music/music-album-reviews/on-every-street-100888/) Review by Don McLeese. October 17, 1991
01. Calling Elvis (06:27)
02. On Every Street (05:04)
03. When It Comes to You (05:01)
04. Fade to Black (03:50)
05. The Bug (04:16)
06. You and Your Friend (05:59)
07. Heavy Fuel (04:56)
08. Iron Hand (03:09)
09. Ticket to Heaven (04:25)
10. My Parties (05:32)
11. Planet of New Orleans (07:48)
12. How Long (03:49)
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