Label: Castle Records (France), CLACD 169
Style: Hard Rock, Rock and Roll, Boogie Rock
Country: London, England
Time: 41:48
Format: Flac Tracks 16/44,1 kHz
Size: 255 Mb
Ma Kelly's Greasy Spoon is the third studio album by English rock
band Status Quo, released in August 1970. It was the first album by the
band to leave behind their early psychedelic sound and begin
experimenting with a hard rock style which still remains the band's
signature sound, as well as the last album to feature keyboardist Roy
Lynes. The album failed in sales and charts and was not successful.
The band began experimenting with a new sound when they hired Australian singer-songwriter Carl Groszmann to write a song for them. That song became "Down the Dustpipe", released as a non-album single in March 1970, with the Francis Rossi/Rick Parfitt song "Face Without a Soul" - from the band's previous album Spare Parts - as its B-side. The song, remarked Rossi, “was the [first] to feature our soon-to-be trademark boogie shuffle” and became one of the most popular numbers in their live set. The single took the media by surprise as it was so different in sound from their previous work. BBC Radio 1 presenter Tony Blackburn dismissed it on-air the first time he played it with the comment, "Down the dustbin for this one." Nevertheless, it was an instant hit, reaching #12 in the UK charts and remaining in the top 50 for 17 weeks.
October 1970 saw the release of another non-album single: the Rossi/Young composition "In My Chair", with the non-album B-side "Gerdundula" (written while in Germany by Rossi and Young under the pseudonyms Manston and James, with a title reportedly inspired by their German friends Gerd and Ula). It earned the band another hit, reaching #21. 'Gerdundula' would be rerecorded for their next album, Dog of Two Head.
While on tour the same year, organist Roy Lynes fell in love. He could see how serious the other members were about fame and glory, yet wanted to settle down with his newfound love. According to the group's producer, John Schroeder, who wrote the booklet notes for the 3-CD compilation The Early Years, Lynes was "the quietest member of the group" and "somehow always seemed to be the odd one out". Parfitt has said Lynes was "a bit laid back, the Open University type who liked tinkering and finding out about things", and Rossi remarked that, when Lynes showed up at a gig in New Zealand about ten years later to say hello, "he seemed a much happier bloke."
"Just so right and so tight," observed Pavement's Stephen Malkmus of Ma Kelly's Greasy Spoon. "As with Dog of Two Head from the year after, this record is transitional: it's the man-steps towards their interchangeable album phase of pure-denim-heads-down-choogle, and never gets boring. Smooth voices over solid grooves. If it was a place, I wish I was there."
(en.wikipedia.org/wiki/Ma_Kelly%27s_Greasy_Spoon)
The band began experimenting with a new sound when they hired Australian singer-songwriter Carl Groszmann to write a song for them. That song became "Down the Dustpipe", released as a non-album single in March 1970, with the Francis Rossi/Rick Parfitt song "Face Without a Soul" - from the band's previous album Spare Parts - as its B-side. The song, remarked Rossi, “was the [first] to feature our soon-to-be trademark boogie shuffle” and became one of the most popular numbers in their live set. The single took the media by surprise as it was so different in sound from their previous work. BBC Radio 1 presenter Tony Blackburn dismissed it on-air the first time he played it with the comment, "Down the dustbin for this one." Nevertheless, it was an instant hit, reaching #12 in the UK charts and remaining in the top 50 for 17 weeks.
October 1970 saw the release of another non-album single: the Rossi/Young composition "In My Chair", with the non-album B-side "Gerdundula" (written while in Germany by Rossi and Young under the pseudonyms Manston and James, with a title reportedly inspired by their German friends Gerd and Ula). It earned the band another hit, reaching #21. 'Gerdundula' would be rerecorded for their next album, Dog of Two Head.
While on tour the same year, organist Roy Lynes fell in love. He could see how serious the other members were about fame and glory, yet wanted to settle down with his newfound love. According to the group's producer, John Schroeder, who wrote the booklet notes for the 3-CD compilation The Early Years, Lynes was "the quietest member of the group" and "somehow always seemed to be the odd one out". Parfitt has said Lynes was "a bit laid back, the Open University type who liked tinkering and finding out about things", and Rossi remarked that, when Lynes showed up at a gig in New Zealand about ten years later to say hello, "he seemed a much happier bloke."
"Just so right and so tight," observed Pavement's Stephen Malkmus of Ma Kelly's Greasy Spoon. "As with Dog of Two Head from the year after, this record is transitional: it's the man-steps towards their interchangeable album phase of pure-denim-heads-down-choogle, and never gets boring. Smooth voices over solid grooves. If it was a place, I wish I was there."
(en.wikipedia.org/wiki/Ma_Kelly%27s_Greasy_Spoon)
01. Spinning Wheel Blues (03:20)
02. Daughter (03:01)
03. Everything (02:38)
04. Shy Fly (03:49)
05. (April) Spring, Summer and Wednesdays (04:13)
06. Junior's Wailing (03:34)
07. Lakky Lady (03:16)
08. Need Your Love (04:46)
09. Lazy Poker Blues (03:34)
10. Is It Really Me-Gotta Go Home (09:31)
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