Label: Continuum Records (U.S.), 19210-2
Style: Rhythm and Blues, Rock
Country: Hillingdon, England (1 June 1947)
Time: 59:21
Format: Flac Tracks 16/44,1 kHz
Size: 410 Mb
While Ronnie did have a more or less independent solo career, unlike
Keith Richards or Mick Jagger whose solo careers were rather, er,
rudimentary and always reeked of the true Stones' spirit, it wasn't
until Slide On This that he fully demonstrated all his possibilities: he
grew up, oldened and wisened, burned out and came back, and delivered a
set of songs which should definitely rank among his best. In fact,
while I haven't yet heard any previous albums of his, I'd be amazed if
any of them turned out to be better.
On a normal, 'technical' level, there ain't really nothing special about Slide On This. What Ronnie does is basically write up a series of simplistic R'n'B melodies and cover some older standards, and that's about it. There's nothing groundbreaking or particularly interesting about this kind of music in 1992, unless, of course, you want to count such gimmicks as string arrangements sometimes overdubbed over plain rock'n'roll numbers innovative. And thus, when I first listened to the record, I couldn't help but feel bored: after all, why not put on Voodoo Lounge instead?
Nay, friends and countrymen. I was wrong. Remember, always remember that Ronnie Wood is not just a second-rate Rolling Stone; Ronnie is just as well a first-rate Face. And the Faces always had that magical power to charm you with their restless energy, booze and grittiness even when the actual melodies were non-existent. Well, now that Ronnie Lane is gone and Rod Stewart is mutated, Ronnie Wood carries on the legacy. And thus, when I listened to the record for the second time, I couldn't help but feel totally enthralled. To hell with Voodoo Lounge; in places, the ferocious rock'n'roll of Slide On This makes the Nineties' Stones sound like pathetic wimps, much like Rod Stewart himself.
Full version: (starling.rinet.ru/music/ronwood.htm)
On a normal, 'technical' level, there ain't really nothing special about Slide On This. What Ronnie does is basically write up a series of simplistic R'n'B melodies and cover some older standards, and that's about it. There's nothing groundbreaking or particularly interesting about this kind of music in 1992, unless, of course, you want to count such gimmicks as string arrangements sometimes overdubbed over plain rock'n'roll numbers innovative. And thus, when I first listened to the record, I couldn't help but feel bored: after all, why not put on Voodoo Lounge instead?
Nay, friends and countrymen. I was wrong. Remember, always remember that Ronnie Wood is not just a second-rate Rolling Stone; Ronnie is just as well a first-rate Face. And the Faces always had that magical power to charm you with their restless energy, booze and grittiness even when the actual melodies were non-existent. Well, now that Ronnie Lane is gone and Rod Stewart is mutated, Ronnie Wood carries on the legacy. And thus, when I listened to the record for the second time, I couldn't help but feel totally enthralled. To hell with Voodoo Lounge; in places, the ferocious rock'n'roll of Slide On This makes the Nineties' Stones sound like pathetic wimps, much like Rod Stewart himself.
Full version: (starling.rinet.ru/music/ronwood.htm)
01. Somebody Else Might (04:51)
02. Testify (05:00)
03. Ain't Rock & Roll (03:46)
04. Josephine (05:29)
05. Knock Yer Teeth Out (04:04)
06. Ragtime Annie (Lillie's Bordello) (02:33)
07. Must Be Love (04:12)
08. Fear For Your Future (04:03)
09. Show Me (03:35)
10. Always Wanted More (05:43)
11. Thinkin' (05:51)
12. Like It (04:28)
13. Breathe On Me (05:39)
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