Label: Decca Records (UK), 8829022
Style: Art Rock, Canterbury Rock
Country: Canterbury, Kent, England
Time: 79:56
Format: Flac Tracks 16/44,1 kHz
Size: 520 Mb
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Members include Doug Boyle (joined c. 1996), guitar;Richard Coughlan(born September 2, 1947, in Herne Bay, Kent, England), drums;Jimmy Hastings, saxophone, flute, clarinet;Pye Hastings (born Julian Hastings, January 21, 1947, in Taminavoulin, Banffshire, Scotland; married Cathy Ross [a publicist] c. 1968; son, Julian), vocals, guitar; Jim Leverton (joined c. 1995), bass;Dek Messecar (bandmember c. 1977-81), bass, vocals; John G. Perry (bandmember c. 1973-74), bass; Geoffrey Richardson, (joined band c. 1972), viola, flute, guitar; Jan Schelhaas (bandmember c. 1975-78), keyboards; David Sinclair (born bd>November 24, 1947, in Herne Bay, Kent, England, left band c. 1971, bandmember c. 1973-75, rejoined band c. 1979), organ, piano; Richard Sinclair (born June 6, 1948, in Canterbury, England, left band c. 1973, rejoined c. 1981-93) bass, vocals; Mike Wedgwood (bandmember c. 1974-76), bass, vocals. Addresses: Record company--Cuneiform Records, P. O. Box 8427, Silver Springs, MD 20907.
Caravan is one of the flagship bands of "Canterbury" progressive rock, a quirky, intelligent branch of English pop music history which has built a devoted following over the past three decades. The music by Canterbury artists is influenced as much by church hymns as jazz, R&B, and British Invasion pop, lending it a very recognizable, distinctive sound.
Caravan formed in Canterbury, England during the late 1960s. Its origins lie with the local band The Wilde Flowers, formed in 1964 and featuring Robert Wyatt, Kevin Ayers, and Hugh Hopper, future founders of The Soft Machine, and guitarist Richard Sinclair. When drummer and vocalist Wyatt wanted to concentrate on singing, Richard Coughlan joined as percussionist in 1965. Soon after, Ayers' friend Pye Hastings became second guitarist.
After surviving periodic turnovers in membership of The Wilde Flowers, the band suffered a major setback when Wyatt, Hopper, and Ayers quit to form the Soft Machine in late 1966. Pye Hastings became vocalist while Sinclair's cousin David joined as organist. Early in 1968, after several months of inactivity, the quartet renamed itself Caravan and began rehearsing and writing songs. Occasional live performances built a word-of-mouth following.
Caravan soon got new management and a recording deal with the better-established Decca Records. The title track to its second album If I Could Do It All Over Again I'd Do It All Over You was a minor British hit single, featuring a brief but brilliant organ solo, and Richard Sinclair was honing his songwriting chops as well as becoming a second lead vocalist. Richard explained the band's collaborative songwriting process to Melody Maker, "You could say Pye does most of the writing, but when he does something, we all put our ideas into it. Being good friends, we understand what he means."
The band followed with In The Land of Grey and Pink, balancing its ability to write extended, progressive suites as well as concise, witty pop songs. Unfortunately, at the band's creative and commercial peak, David Sinclair left to join Robert Wyatt's new band Matching Mole. He explained to Melody Maker, "I left Caravan ... because of musical stagnation. After three years of playing with the same band I felt the need to expand into other directions." Pianist Steve Miller and several horn players replaced David to give the band a jazzier sound. While the resulting album Waterloo Lily has its fine moments, it reflects the turmoil within the band and alienated a segment of Caravan's fans. Hastings recalled, "Caravan was beginning to lose the `Caravan feel.' With Steve we were getting more involved with the solos than the songs."
Unsatisfied with the band's new direction, Richard Sinclair left Caravan in 1973 to form Hatfield and The North with former Gong drummer Pip Pyle and Matching Mole guitarist Phil Miller. Matching Mole having disbanded, David Sinclair was persuaded to rejoin Caravan when Steve Miller left. Multi-instrumentalist Geoff Richardson was added to the fold for For Girls Who Grow Plump In The Night, a return to form for the band. Because the album featured an orchestra to good effect on some songs, the band and producer David Hitchcock staged a concert in London with The New Symphonia Orchestra.
That performance, released as Caravan & The New Symphonia, was well received, although the band was disappointed with the results. In the liner notes to Canterbury Tales, Richardson reminisced, "The gig seemed a bit tense and over-organized. I felt really constrained since it was a performance and didn't have any spontaneity.
Cunning Stunts, from 1975, followed Caravan's first American tour. That album and its follow-up Blind Dog at St. Dunstan's featured a more pop-oriented approach. In late 1977, when the band's record label, Arista requested new material and several band members were unavailable due to other commitments, Hastings persuaded Richard Sinclair to rejoin the band. Over an album's worth of songs were recorded but remained unreleased for over a decade as Caravan was among several acts Arista culled that year, considered unprofitable.
The band was inactive for most of the eighties. The four original members of Caravan briefly reformed for an album, Back To Front, and several concerts. The quartet played live sporadically throughout the eighties and was featured in 1990 on a British television "Bedrock" special.
Throughout the nineties, Pye Hastings, when not working full time as a plant hire manager, has been leading Caravan for new studio recordings and live performances. Recently Caravan has released two albums, All Over You, a disappointing collection of re-recordings of classic material, and The Battle of Hastings, new songs that prove that the band is still a vital musical force. Richard Sinclair briefly led Caravan of Dreams, who recorded a fine album in 1991, before becoming a carpenter. He occasionally releases albums and plays concerts.
Richard Sinclair takes much pride in the town of Canterbury and the music that he had an active role in shaping. He was quoted in Facelift,: "I think it has got a particular sound.... We've sung it in our schools here... I was part of the C of E (Church of England) choir: up to the age of sixteen I was singing tonalities that are very English. Over the last three hundred years, four hundred years, maybe, and even earlier than that, some of the tonalities go back.... People say `what is the Canterbury scene?' I think you have to come to Canterbury and see and hear it."
(musicianguide.com/biographies/1608002219/Caravan.html) by Jim Powers
Members include Doug Boyle (joined c. 1996), guitar;Richard Coughlan(born September 2, 1947, in Herne Bay, Kent, England), drums;Jimmy Hastings, saxophone, flute, clarinet;Pye Hastings (born Julian Hastings, January 21, 1947, in Taminavoulin, Banffshire, Scotland; married Cathy Ross [a publicist] c. 1968; son, Julian), vocals, guitar; Jim Leverton (joined c. 1995), bass;Dek Messecar (bandmember c. 1977-81), bass, vocals; John G. Perry (bandmember c. 1973-74), bass; Geoffrey Richardson, (joined band c. 1972), viola, flute, guitar; Jan Schelhaas (bandmember c. 1975-78), keyboards; David Sinclair (born bd>November 24, 1947, in Herne Bay, Kent, England, left band c. 1971, bandmember c. 1973-75, rejoined band c. 1979), organ, piano; Richard Sinclair (born June 6, 1948, in Canterbury, England, left band c. 1973, rejoined c. 1981-93) bass, vocals; Mike Wedgwood (bandmember c. 1974-76), bass, vocals. Addresses: Record company--Cuneiform Records, P. O. Box 8427, Silver Springs, MD 20907.
Caravan is one of the flagship bands of "Canterbury" progressive rock, a quirky, intelligent branch of English pop music history which has built a devoted following over the past three decades. The music by Canterbury artists is influenced as much by church hymns as jazz, R&B, and British Invasion pop, lending it a very recognizable, distinctive sound.
Caravan formed in Canterbury, England during the late 1960s. Its origins lie with the local band The Wilde Flowers, formed in 1964 and featuring Robert Wyatt, Kevin Ayers, and Hugh Hopper, future founders of The Soft Machine, and guitarist Richard Sinclair. When drummer and vocalist Wyatt wanted to concentrate on singing, Richard Coughlan joined as percussionist in 1965. Soon after, Ayers' friend Pye Hastings became second guitarist.
After surviving periodic turnovers in membership of The Wilde Flowers, the band suffered a major setback when Wyatt, Hopper, and Ayers quit to form the Soft Machine in late 1966. Pye Hastings became vocalist while Sinclair's cousin David joined as organist. Early in 1968, after several months of inactivity, the quartet renamed itself Caravan and began rehearsing and writing songs. Occasional live performances built a word-of-mouth following.
Caravan soon got new management and a recording deal with the better-established Decca Records. The title track to its second album If I Could Do It All Over Again I'd Do It All Over You was a minor British hit single, featuring a brief but brilliant organ solo, and Richard Sinclair was honing his songwriting chops as well as becoming a second lead vocalist. Richard explained the band's collaborative songwriting process to Melody Maker, "You could say Pye does most of the writing, but when he does something, we all put our ideas into it. Being good friends, we understand what he means."
The band followed with In The Land of Grey and Pink, balancing its ability to write extended, progressive suites as well as concise, witty pop songs. Unfortunately, at the band's creative and commercial peak, David Sinclair left to join Robert Wyatt's new band Matching Mole. He explained to Melody Maker, "I left Caravan ... because of musical stagnation. After three years of playing with the same band I felt the need to expand into other directions." Pianist Steve Miller and several horn players replaced David to give the band a jazzier sound. While the resulting album Waterloo Lily has its fine moments, it reflects the turmoil within the band and alienated a segment of Caravan's fans. Hastings recalled, "Caravan was beginning to lose the `Caravan feel.' With Steve we were getting more involved with the solos than the songs."
Unsatisfied with the band's new direction, Richard Sinclair left Caravan in 1973 to form Hatfield and The North with former Gong drummer Pip Pyle and Matching Mole guitarist Phil Miller. Matching Mole having disbanded, David Sinclair was persuaded to rejoin Caravan when Steve Miller left. Multi-instrumentalist Geoff Richardson was added to the fold for For Girls Who Grow Plump In The Night, a return to form for the band. Because the album featured an orchestra to good effect on some songs, the band and producer David Hitchcock staged a concert in London with The New Symphonia Orchestra.
That performance, released as Caravan & The New Symphonia, was well received, although the band was disappointed with the results. In the liner notes to Canterbury Tales, Richardson reminisced, "The gig seemed a bit tense and over-organized. I felt really constrained since it was a performance and didn't have any spontaneity.
Cunning Stunts, from 1975, followed Caravan's first American tour. That album and its follow-up Blind Dog at St. Dunstan's featured a more pop-oriented approach. In late 1977, when the band's record label, Arista requested new material and several band members were unavailable due to other commitments, Hastings persuaded Richard Sinclair to rejoin the band. Over an album's worth of songs were recorded but remained unreleased for over a decade as Caravan was among several acts Arista culled that year, considered unprofitable.
The band was inactive for most of the eighties. The four original members of Caravan briefly reformed for an album, Back To Front, and several concerts. The quartet played live sporadically throughout the eighties and was featured in 1990 on a British television "Bedrock" special.
Throughout the nineties, Pye Hastings, when not working full time as a plant hire manager, has been leading Caravan for new studio recordings and live performances. Recently Caravan has released two albums, All Over You, a disappointing collection of re-recordings of classic material, and The Battle of Hastings, new songs that prove that the band is still a vital musical force. Richard Sinclair briefly led Caravan of Dreams, who recorded a fine album in 1991, before becoming a carpenter. He occasionally releases albums and plays concerts.
Richard Sinclair takes much pride in the town of Canterbury and the music that he had an active role in shaping. He was quoted in Facelift,: "I think it has got a particular sound.... We've sung it in our schools here... I was part of the C of E (Church of England) choir: up to the age of sixteen I was singing tonalities that are very English. Over the last three hundred years, four hundred years, maybe, and even earlier than that, some of the tonalities go back.... People say `what is the Canterbury scene?' I think you have to come to Canterbury and see and hear it."
(musicianguide.com/biographies/1608002219/Caravan.html) by Jim Powers
01. Memory Lain, Hugh / Headloss (09:27)
02. Virgin On The Ridiculous (07:14)
03. Be Alright / Chance Of A Lifetime (06:37)
04. The Love In Your Eyes (15:23)
05. L'Auberge Du Sanglier / A Hunting We Shall Go / Pengola / Backwards / A Hunti... (09:49)
06. The Dog, The Dog, He's At It Again (06:23)
07. For Richard (19:01)
08. Hoedown (05:58)
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